Tag Archives: Lucinda Williams

Sharon Van Etten, Diane Cluck, Lucinda Williams and more record ‘lost’ Karen Dalton songs

cfe97723-df5a-4bcf-883b-db3feb010d45Over the last few years, it seems that every last known recording of the late Karen Dalton — who in recent years has become a role model for women singers, particularly of freak folk variety — has been released, regardless of quality.

Her studio recordings, just two albums, don’t include anything Dalton wrote. Nor, as far as I know, do the three collections of unreleased tracks issued after her death.

More than a few articles about Dalton even say definitively that she never wrote her own songs.

Once again, we see proof that you should never say never.

Tompkins Square Records is about to release an album of songs Dalton wrote, made available by Peter Walker, who handles her estate.

The label, which has done much good work with Daniel Bachman, Bessie Jones, the Imagination Anthem series and other releases, will release the collection on May 26.

“Remembering Mountains: Unheard Songs of Karen Dalton” features 11 songs, each recorded by a different notable female artist, including veterans Lucinda Williams and Tara Jane O’Neil, DIY darling Diane Cluck, and indie icon Sharon Van Etten.

The artists were given Dalton’s lyrics, but, with the exception of the title track, no clues to Dalton’s intentions for the melodies or harmonies she intended. Van Etten, who did the title track, had a chord chart to work with. 

I haven’t heard any of it yet, but I’ll let you know when I do.

In the meantime, here’s the tracklist:

1) REMEMBERING MOUNTAINS – SHARON VAN ETTEN
2) ALL THAT SHINES IS NOT TRUTH – PATTY GRIFFIN
3) THIS IS OUR LOVE – DIANE CLUCK
4) MY LOVE, MY LOVE – JULIA HOLTER
5) MET AN OLD FRIEND – LUCINDA WILLIAMS
6) SO LONG AGO AND FAR AWAY – MARISSA NADLER
7) BLUE NOTION – LAUREL HALO
8) FOR THE LOVE I’M IN – LARKIN GRIMM
9) DON’T MAKE IT EASY – ISOBEL CAMPBELL
10) AT LAST THE NIGHT HAS ENDED – TARA JANE O’NEIL
11) MET AN OLD FRIEND – JOSEPHINE FOSTER

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Sharon Van Etten asks: Are We There?

Sharon Van Etten (Photo by Dusdin Condren)

Sharon Van Etten (Photo by Dusdin Condren)

On her new album, “Are We There,” Sharon Van Etten asks a question — though her designer left off the question mark — whose answer depends very much on who you’re asking.

I’ve been having a debate with someone about Sharon that demonstrates that there’s no clear answer to the question.

My debate partner thinks Sharon, whose first album, 2009’s Because I Was in Love,  was a fairly stripped-down, singer-songwriter affair, has exhibited an increasing tendency to lean too heavily on studio tricks and production techniques, burying her voice, obscuring her lyrics, and seriously undercutting the impact of her songs. And her first impression of the new album is that it continues in that vein.

I had similar reservations at first, but now, after listening to Are We There a dozen times, I think that Sharon may have f0und her sweet spot.

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Jenny Scheinman, pregnant and full of energy, played (Le) Poisson Rouge with her band Mischief & Mayhem

Jenny Scheinman, right, and her Mischief & Mayhem bandmates. (Photo by Michael Gross)

Brooklyn’s own Jenny Scheinman has long been a strong side player, fiddling for lots of rock and pop heroes, from Lucinda Williams, Norah Jones, Rodney Crowell and Carla Bozulich to Bill Frisell, Vinicius Cantuaria and Ani DiFranco.

She’s straddled the divide between “popular” music (rock, folk and country) and contemporary experimental sounds.

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