Category Archives: RIP

Jon Langford and a Maxwell’s memory lapse

The Jon Langford Threesome, from left, at Maxwell's: Tony Maimone, Steve Goulding, Jon Langford. (Photo © 2013, Steven P. Marsh)

The Jon Langford Threesome, from left, at Maxwell’s: Tony Maimone, Steve Goulding, Jon Langford. (Photo © 2013, Steven P. Marsh)

Jon Langford looked truly puzzled on the stage of Maxwell’s.

The Jon Langford Threesome's set list at Maxwell's. (Photo © 2013, Steven P. Marsh)

The Jon Langford Threesome’s set list at Maxwell’s. (Photo © 2013, Steven P. Marsh)

The Welsh-born rocker has played at the Hoboken, N.J., club many times — “37 1/2… the half because tonight’s not done yet” — over the years in many bands, from the Mekons to the Three Johns.

On Tuesday, July 9, his show was billed as “Jon Langford’s Threesome feat. Tony Maimone and Steve Goulding performing Mekons, Waco Bros. and Jon Langford songs from throughout the centuries

“Did the Waco Brothers ever play here,” he asked, during a portion of the set where his cranked out several of that band’s best-loved tunes.

“Three times!” came the cry from the crowd.

The crowd gathers in the back room at Maxwell's for the Jon Langford Threesome. (Photo © 2013, Steven P. Marsh)

The crowd gathers in the back room at Maxwell’s for the Jon Langford Threesome. (Photo © 2013, Steven P. Marsh)

Continue reading

Saying goodbye to Maxwell’s: Share your ideas for the final show

Patrons enter Maxwell's at 11th and Washington streets in Hoboken, N.J., on July 5, 2013, (Photo © 2013, Steven P. Marsh)

Patrons enter Maxwell’s at 11th and Washington streets in Hoboken, N.J., on July 5, 2013, (Photo © 2013, Steven P. Marsh)

We’ve been thinking a lot about closing night at Maxwell’s, the well-loved Hoboken, N.J., music club that hosts its last show on July 31.

There’s a selfish motive, in part, of course: How can WE get to be there. Surely with all the bands and fans that have passed through the Washington Street club over the last 35 years there will be far, far more people trying to get in than the small (capacity 200) venue can possibly hold. With closing a bit over three weeks away, Todd Abramson, the club’s booker and co-owner, is working on a plan.

Todd Abramson with the New York Post's Mary Huhn in Austin in 2003.

Todd Abramson with the New York Post’s Mary Huhn at South by Southwest in Austin, Texas, in 2003.

But, as he told us by phone this morning, “there’s no news here” just yet. He definitely has some ideas about ways to make it accessible to more people and to level the playing field for those who want to be there. But he says he still has a lot to work out.

What we know is that “a,” the first band to play Maxwell’s, is supposed to reunite for the farewell show. And The Bongos, the much better-known band that grew out of “a,” will also be on the bill. But after that, just about everything is pure speculation.

Since things are in flux, you have a chance to weigh in with ideas of your own.

How should the final show be handled? Should it run all day. Should it be free on a first-come, first-served basis, a normal Maxwell’s price ($15-$25 from TicketFly) or should it be premium priced, a la Neil Young at the Capitol Theatre in Port Chester, N.Y., where’s the best seats are tabbed at $285? (Then again, when speaking of Maxwell’s, there are no SEATS, really.)

What about timing? July 31 is a weekday. Should the show start at 9 and go all night? Or should it start in the early afternoon and go on and on?

Who else — band, solo artist, influential individual or fan — be a part of the show in some way?

Don’t just tell us who or what. Tell us why — make a case for your idea. There should be a good reason for every eulogy and every participant in the farewell proceedings.

The sky’s the limit. Share you ideas in the comments section. Get a conversation going. Have fun thinking of the wildest ways possible to pay tribute to Maxwell’s incredible legacy.

Meanwhile, The Bongos promise details of some sort about the show on their Facebook page soon. And keep an eye on Will You Miss Me When I’m Gone? We’ll be sure to let you know of any developments as soon as we can dig them up.

Scott Miller tribute in New York City on June 29; now with free download info

20130605-154255.jpg
Artists including A.C. Newman of The New Pornographers, Ted Leo, Will Sheff of Okkervil River, Charles Bissell of the Wrens, Kleenex Girl Wonder (with Matt LeMay on drums), Tim Thomas of Babe the Blue Ox will pay tribute with performances and readings to the late Scott Miller on June 29 at Cake Shop in Manhattan’s Lower East Side.

Scott Miller

Scott Miller

Miller , who died April 15 at 53, was a San Francisco-area musical mainstay and founder of the influential bands Game Theory (1981-1989) and The Loud Family (1991-2006+)

Tickets, at $30 plus a small service charge, go on sale Monday via Brown Paper Tickets by clicking here.

The proceeds go to The Scott Miller Family Memorial Fund in support of his widow, Kristine, and their two daughters, Julianne Elizabeth and Valerie. the fund already has raised $47,000.

Read about a West Coast tribute and learn how to get free downloads of much of Scott’s music after the jump. Continue reading

R.I.P. Captain Beefheart, 1941-2010

The cover for Trout Mask Replica, one of Captain Beefheart's most bizarre and memorable images.

Captain Beefheart in the Mojave Desert, 1980. (Photo by Anton Corbijn)

Captain Beefeheart, born Don Van Vliet, died on Friday, Dec. 17, less than a month short of his 70th birthday.

He reportedly died of complications of multiple sclerosis.

He was a bizarre and influential musical genius. Here’s Pitchfork‘s bio:

Van Vliet collaborated with Frank Zappa before adopting the Captain Beefheart persona and forming Captain Beefheart and His Magic Band, his constantly shifting backing band, in 1964. On the strength of the blues-rock single “Diddy Wah Diddy”, Beefheart and his band signed to A&M. After the label rejected their debut album, Beefheart and co. re-recorded many of the songs and eventually released them as the classic 1967 debut album Safe as Milk.

After signing with Zappa’s Straight Records, Beefheart released the legendary 1969 double LP Trout Mask Replica. Following that surreal masterpiece, Beefheart recorded and released more albums, seesawing back and forth between euphoric bizarreness and more conventional rock. Beefheart retired from music after 1982’s Ice Cream for Crow, retreating to the Mojave Desert and focusing on his visual art. Though his art career was quite successful, he disappeared from public life, reportedly suffering from multiple sclerosis.

Happy Birthday, John Lennon

It’s hard to believe that today is John Lennon’s 70th birthday.

We’ve come a long way since his tragic assassination 30 years ago, but we still have a long way to go.

Please enjoy Yoko Ono‘s touching video tribute to her husband.

Let’s all give peace a chance!

Kristin Hersh reads and sings

Journalist Katherine Lanpher interviews Kristin Hersh. (Photos copyright 2010, Steven P. Marsh)

Kristin Hersh, founder of the legendary band Throwing Muses, who’s now performing solo when she’s not fronting her new band 50FOOTWAVE, is on the road talking about her amazing new memoir, Rat Girl. It’s based on her teenage diaries and gives a look into her beautifully messy mind and crazy life.

She visited Barnes & Noble on Union Square in New York City on Tuesday, where she spent an hour chatting with journalist Katherine Lanpher, reading excerpts from her gripping memoir and playing some songs.

Kristin Hersh sings

Kristin has had quite a life, and deals with much of it in the memoir. She nearly died when she was hit by a car while riding her bicycle in Providence, R.I., when she was 16 — her face, reflected in the mirrored sunglasses of a Good Samaritan at the scene, was “hamburger with hair,” she recounts. She was diagnosed with bipolar disorder. She started college at age 15, younger than everyone else and out of place, and bonded with another out-of-place student, the much older actress Betty Hutton. Continue reading

RIP Kate McGarrigle

[picapp align=”none” wrap=”false” link=”term=kate+mcgarrigle&iid=1718460″ src=”c/a/7/a/The_Metropolitan_Opera_03c9.jpg?adImageId=9292332&imageId=1718460″ width=”415″ height=”594″ /]

Canadian folksinger Kate McGarrigle, the head of a musical dynasty, who’s best known known by younger music fans as the mother of Rufus and Martha Wainwright, died last night. She was 63, and died of clear-cell carcinoma.

Kate, a Juno award winner and Member of the Order of Canada, was diagnosed with cancer in 2006.

Click here for a blog post on her death from the National Post, a Canadian newspaper, and here for the Toronto Star report.

Kate gave birth to Martha and Rufus, two gifted singers, during her marriage to singer-songwriter Loudon Wainwright III.

Kate performed for many years in a duo with her sister Anna as Kate and Anna McGarrigle, passing their folk-music traditions along to a large, extended family family of musicians, which, in addition to Loudon, Rufus and Martha, includes Maggie, Terre and Suzzy Roche who perform together as The Roches (the link: Suzzy had a daughter, singer-songwriter Lucy Wainwright Roche, with Loudon). The family had a tradition of gathering annually for Christmas concerts, sometimes at New York’s Carnegie Hall. The last McGarrigle Family Christmas concert, A Not So Silent Night, was held last Dec. 9 at London’s Royal Albert Hall. Here’s a video of Kate singing a new song, “Proserpina,” at that show:

Last Friday, Rufus’ web site announced that he was canceling his February/March tour of Australia and New Zealand “due to an illness in the family.”  Martha’s site indicates she has no upcoming concert dates.

Will You Miss Me When I’m Gone? sends best wishes to Kate’s extended family at this time of loss.

Up for a Passing Strange road trip?

So glad he's not on Broadway: Stew and his adoring fans after the final Broadway performance of <i>Passing Strange</i> on July 20, 2008. (Photo by SPM, all rights reserved.)

He’s so glad he’s not on Broadway: Stew and his adoring fans after the final Broadway performance of Passing Strange on July 20, 2008. (Photo by SPM, all rights reserved.)

Just a month after hitting the Tribeca Film Festival, Spike Lee‘s film of Passing Strange will be screened at the Seattle International Film Festival on Saturday, May 23.

Spike Lee at the final Broadway performance of Passing Strange on July 20, 2008. (Photo by SPM, all rights reserved.)

Spike Lee at the final Broadway performance of Passing Strange. (Photo by SPM, all rights reserved.)

They’re doing an interview and Q&A session, oddly, before the screening, which no doubt will help avoid the really thorny audience queries, like what co-creator and narrator Stew really meant by “What’s inside is just a lie.”

Spike is also slated to get the SIFF’s 2009 Golden Space Needle Award for Outstanding Achievement in Directing.

Think that means they really, really wanted him to show up?