Category Archives: Pop and Rock

Updated sneak peek at the Celebrate Brooklyn! lineup

Legendary Mexican rock band Cafe Tacuba rocked the Prospect Park Bandshell in the 2003 edition of Celebrate Brooklyn! (Photo by SPM. All rights reserved.)

Legendary Mexican rock band Cafe Tacuba rocked the Prospect Park Bandshell in the 2003 edition of Celebrate Brooklyn! (Photo by SPM. All rights reserved.)

Brooklyn’s Prospect Park Bandshell is a great place for a summer concert, and it looks like Celebrate Brooklyn! is offering a killer lineup this year.

David Byrne

David Byrne

Festivities kick off at 8 p.m. on Monday, June 8, with a FREE ($3 suggested donation) show featuring David Byrne. That’s just the first of many great free concerts.

The full schedule is out tomorrow, but here’s a taste of what’s to come.The listed times are when the gates open. Go early to claim a good spot and check out the great food. And don’t forget to donate at the gate, or better yet, become a member, and help keep this amazing free program alive:

Saturday, June 20, 6:30 p.m.: LA NAVE DE LOS MONSTRUOS, with live score by ETHEL and GUTBUCKET. In a special Celebrate Brooklyn! commission, the nation’s premier rock-infused, postclassical string quartet, the immensely acclaimed Ethel, teams up with the wild art-rock group Gutbucket to perform a new original score to the vintage Mexican science fiction classic La Nave De Los Monstruos (The Monsters’ Ship, 1959). In the film, the last male on Venus has died, and two Venusian hotties embark on a quest to find men on other planets. The bands premiere the new work this evening after developing the project at a BRIClab residency this spring. Gutbucket will also perform an opening set.

Friday, June 26, 6;30 p.m.: BLONDE REDHEAD. The vaunted NYC underground sensualists Blonde Redhead have shape-shifted from dissonant noise explorations to ethereal, dreamy pop over the course of their career, always inspiring intense devotion from their fans. PopMatters says of them, “It is as if they are pressing on piano keys and each key is a trigger that tugs a wire within the listener. There are keys for longing, possession, despair, and ecstasy—and Blonde Redhead travel fast and skillfully over the whole keyboard.”

Sunday, July 19, 1 p.m.: AFRICAN FESTIVAL with King Sunny Adé and many others! Celebrate Brooklyn!’s annual all-day festival of music, food and crafts features a lineup of music selected to keep dancers moving into the night. Tthe great King Sunny Adé of Nigeria is this year’s headliner, but the bill also includes a rare U.S. appearance by South Africa’s Freshly Ground; The Mandingo Ambassadors, from NYC by way of Guinea, whose music “has been structured to make you feel good” (The New York Times); the wild Senegalese drum troupe Cheikh M’Baye & Sing Sing; the powerful Brooklyn-born, Ghanaian vocalist Abena Koomson; and whirling traditional Egyptian dancer, Yasser Darwish.

Saturday, Aug. 1, 6:30 p.m.: DEAN & BRITTA: 13 Most Beautiful…Songs for Andy Warhol’s Screen Tests with CRYSTAL STILTS. Dean & Britta, who are beloved as one of the sexiest duo’s in rock, in addition to being alumni of the groundbreaking alt-rock band Luna, perform original scores to Warhol’s rarely seen short silent film portraits, which captured Factory superstars, celebrities, and anonymous teenagers in mesmerizing four-minute shots. The New York Times says, “The music unabashedly translates the ominous drone of early Velvet Underground songs like I’m Waiting for the Man and Venus in Furs into a more modern electronic mode reminiscent of Giorgio Moroder’s chic torture-chamber disco.” Commissioned by the Andy Warhol Museum, the project is like an archeological dig unearthing NYC’s 1960s art scene, complete with an unforgettable soundtrack. Brooklyn’s Crystal Stilts, whom Pitchfork describes as “moody-sounding fuckers who make fabulous stripped-down garage-pop,” will set the tone for the night.

Friday, Aug. 7, 6 p.m.: GRACE POTTER & THE NOCTURNALS with DEER TICK. Fronted by the Joplin-like vocals and the Hammond B-3 playing of the group’s fearless frontwoman, Grace Potter & The Nocturnals play “blues-based rock with glorious passion.” The music of Deer Tick is hard to categorize—folk? indie rock? alt-country? Americana?—but easy to love. They “write and play some of the most soulful, inspired music around, littered with lyrics as sharp as a shot of whiskey and rapid-fire guitar solos strong enough to blow the dust off your boots.” (Brooklyn Vegan)

Welcome aboard Air Amsterdam Flight Zero

Spike Lee's crew filming the very last performance of <i>Passing Strange</i> on Broadway.

Spike Lee's crew filming the very last performance of Passing Strange on Broadway. (All photos by SPM. All rights reserved.)


stew-autograph

Stew outside the Belasco Theater after Passing Strange's final curtain.

In just hours, Passing Strange will launch almost 450 fans on a cinematic journey at the Directors Guild Theater just down the block from Carnegie Hall in Midtown Manhattan. After the trip, director Spike Lee and co-creators Stew and Heidi Rodewald will talk with the audience about the show. Although not scheduled to be onstage, most of the members of the cast will be at the theater.

Stew's Chuck Taylors.

Stew's Chuck Taylors.

This Tribeca Film Festival event is sold out. But if you don’t have tickets and want to go, you can gamble on picking up a spare ticket from somebody at the theater. I know there are a few extras around, so if you are really desperate for a ticket, leave a message on my contact page, with your name and mobile number or email address, and I’ll see

Colman Domingo, who grabbed some video of his own at the last show,says he'll be at tonight's screening.

Colman Domingo, who grabbed some video of his own at the last show,says he'll be at tonight's screening.

what I can do. There will be a standby line at the theater, as well, so one way or another, it’s probably worth the gamble.

If you can’t get into tonight’s show,  don’t worry. There’s another screening — albeit without the Q&A — at 10 p.m. tomorrow at the AMC Loews Village VII  in the East Village. The movie is also expected to have  a limited theatrical release later this year. And, as Will You Miss Me When I’m Gone? reported yesterday, the movie has been picked up by PBS for broadcast next year.

7 p.m. today. At Directors Guild Theater, 110 West 57th Street (between Sixth and Seventh avenues); sold out, some rush tickets available at the theater. (Also 10 p.m. Suday, May 3. AMC Village VII, 66 Third Ave.; rush tickets available.)

EXCLUSIVE: Jon Pousette-Dart was born to make music!

Jon Pousette-Dart (Photo by talisman.com)

Jon Pousette-Dart (Photo by talisman.com)

It’s nice to meet a rock musician like Jon Pousette-Dart who’s really in it for the long haul. He’s been playing music since he was a young boy in Suffern, N.Y.

Jon, who continued to tour and play even when the major-label spotlight shifted away from him in the early Eighties, tells Will You Miss Me When I’m Gone? what keeps him going:

“I do it because him have to do it. It’s kind of who I am,” Jon. And while Jon is clearly a smart guy, who no doubt would be successful at almost anything he might tackle, he modestly suggests he has little choice of vocation because “I don’t know if there’s anything else I could do.”

Evidence from Jon's scrapbook shows he was playing music in 1962, when he was about 10 years old.

Evidence from Jon's scrapbook shows he was playing music in 1962, when he was about 10 years old.

Jon, the son of Abstract Expressionist painter Richard Pousette-Dart, began playing musici with friends when he was quite young, even forming a band  called Tony and the Tigers with Tony and Hunt Sales, sons of TV comedian (and neighbor) Soupy Sales. (The Sales boys later comprised the rhythm section on Iggy Pop‘s classic album Lust for Life, before becoming part of David Bowie‘s Tin Machine.)

“I knew even when I was a kid that this was what I was going to be doing,” says Jon, a self-taught guitarist who learned most of his chops from his older sister’s record collection. “It’s always been about being in music for the long run.”

In 1973, Jon formed the Pousette-Dart Band (PDB for short), and quickly was signed to Capitol Records. PDB brought bring Jon’s warm voice to bear on a string of countryish folk-rock tunes like “Amnesia” and a cover of the 1961 rock standard, “Stand By Me.” PDB’s sound was cheeful, bright and overall a little less polished than similar work by the Eagles, James Taylor or even Orleans, another band with New York roots. PDB was perfectly positioned as an alternative to the over-hyped sound of some of the big artists of the day.

The band broke up in 1981, but Jon has continued to perform, as a solo artist and with bands, ever since. He’s managed to stay afloat while dealing with huge changes in the music business. All while, Jon says, his approach to making music remains pretty steadfast. “It really hasn’t consciously changed, it has organically evolved. Over time, you become open and receptive to other things. But I was kind of rooted in roots, blues and rock-and-roll.” And even though he’s a Northerner (born in New York City in 1952, and a resident of its northwestern suburbs on and off for much of his life), he has a deep affinity for the South. “Almost everything I’ve drawn from, musically, is from down South. There’s a real layer of depth in the South.”

The one thing that has changed is Jon’s writing habits. “When I was starting out, I  wrote everything on my own. But then in the early Nineties, my manager brought me to Nashville and got me started collaborating. I really enjoyed that. It opened up a whole new perspective.”

Jon is still actively recording (a new album is due later this year) and playing shows. “Live performance is invaluable to a songwriter. It’s part of the process. You start to play a song out and it shifts and changes.” But finding places to play is the tough part in a market that Jon calls “oversaturated” with bands. So he’s thrilled to be bringing his sound back home to Rockland County with a gig in Piermont tomorrow and in Nyack next month.

The Jon Pousette-Dart Band plays at 9 p.m., Friday, May 1.  At  The Turning Point, 468 Piermont Ave., Piermont, N.Y.; (845) 359-1089. $25. (Also June 13 at Riverspace in Nyack, N.Y.)


You’ll be sorry if you miss…

  • Angela’s Mixtape: You have only four chances left to see this musical journey written by and starring 2007 Pulitzer Prize drama-award finalist
    Eisa Davis in <i>Passing Strange</i>.

    Eisa Davis in Passing Strange.

    Eisa Davis (who’s also an accomplished actor and singer, who made waves as the mother in Passing Strange). Davis’ music-driven autobiographical show is an affectionate look at her compliated relationship with her namesake aunt, Seventies radical Angela Davis.  (The actress’ full name is Angela Eisa Davis.) 8 p.m. daily, through Saturday, May 2. (Thursday and Friday are already sold out, so hurry!) At the Ohio Theater, 66 Wooster Street, Manhattan; (212) 868-4444 or www.smarttix.com. $20-$35.

  • The Last Goodbye: The first of three concert readings of this in-development musical marriage between William Shakespeare’s Romeo and Juliet and Jeff Buckley’s music is already sold out. Tickets are rapidly disappearing for the remaining two shows. It has a talented young cast and a strong creative team. It seems like a combination that can’t be bad, and could be sublime. 9:30 p.m., May 11 (sold out), May 25, and June 1. At Joe’s Pub, 425 Lafayette Street, Manhattan; 212-967-7555 or www.joespub.com. $12.

Up for a Passing Strange road trip?

So glad he's not on Broadway: Stew and his adoring fans after the final Broadway performance of <i>Passing Strange</i> on July 20, 2008. (Photo by SPM, all rights reserved.)

He’s so glad he’s not on Broadway: Stew and his adoring fans after the final Broadway performance of Passing Strange on July 20, 2008. (Photo by SPM, all rights reserved.)

Just a month after hitting the Tribeca Film Festival, Spike Lee‘s film of Passing Strange will be screened at the Seattle International Film Festival on Saturday, May 23.

Spike Lee at the final Broadway performance of Passing Strange on July 20, 2008. (Photo by SPM, all rights reserved.)

Spike Lee at the final Broadway performance of Passing Strange. (Photo by SPM, all rights reserved.)

They’re doing an interview and Q&A session, oddly, before the screening, which no doubt will help avoid the really thorny audience queries, like what co-creator and narrator Stew really meant by “What’s inside is just a lie.”

Spike is also slated to get the SIFF’s 2009 Golden Space Needle Award for Outstanding Achievement in Directing.

Think that means they really, really wanted him to show up?