Category Archives: Pop and Rock

Friday night with The Feelies

Glenn Mercer rips into a Feelies song at Maxwell's on Friday, July 3, with percussionist Dave Weckerman keeping the beat. (Copyright 2009, Steven P. Marsh)

Glenn Mercer rips into a Feelies song at Maxwell's on Friday, July 3, with percussionist Dave Weckerman keeping the beat. (Copyright 2009, Steven P. Marsh)

The Feelies were unbelievably tight at Maxwell’s in Hoboken, N.J., last night. They started almost on the dot of 9:30 (so if you’re going tonight, don’t be late or you’ll get stuck in the back of the room)  and played two solid sets, plus FOUR encores.

Since they reunited last year, the New Jersey quintet has gotten better and better, to the point that they as confident and assured as they did in their heyday. What an amazing night!

I was a little to far back to get many good shots, but here are some for those who couldn’t make it. I’ll get there earlier tonight and come back with better-quality images for tomorrow’s post.

P.S. Stanley Demeski’s daughter is a blogger. She wrote this about last year’s reunion show. I hope she writes about this years!

Sold out: Maxwell's music room was packed.

Sold out: Maxwell's music room was packed.

Glenn Mercer and Bill Million attack their guitars.

Glenn Mercer and Bill Million attack their guitars.

Brenda Sauter: Chill angel on the bass.

Brenda Sauter: Chill angel on the bass.

Freedy Johnston checking out The Feelies on Friday.

Freedy Johnston checking out The Feelies on Friday.

If it’s a national holiday, it must be time for The Feelies

The Feelies spent last Fourth of July in Battery Park in NYC, opening for Sonic Youth. That's Yo La Tengo's Ira Kaplan in the lower right corner, just to the right of North Jersey singer-songwriter Ed Seifert in the white T-Shirt. (Copyright 2008, Steven P. Marsh)

The Feelies spent last Fourth of July in Battery Park in NYC, opening for Sonic Youth. That's Yo La Tengo's Ira Kaplan in the lower right corner, just to the right of North Jersey singer-songwriter Ed Seifert in the white T-Shirt. (Copyright 2008, Steven P. Marsh)

The legend is that The Feelies only played on national holidays. While that’s not quite true — the reunited band has been playing more often than just holidays, even doing an acoustic show at The Whitney Museum last week — the band does like its holiday shows.

The Feelies' Glenn Mercer and Dave Weckerman talk to a fan in Battery Park.

The Feelies' Glenn Mercer and Dave Weckerman talk to a fan in Battery Park.

This year is no exception. The Feelies start at three-night celebration of the Fourth of July at Maxwell’s at 8:30 tonight, followed by 9:30 shows tomorrow and Saturday. They’re promising two sets each night, so it should be a good party.

Tickets are still available here, and presumably at the door for tonight’s show. Friday and Saturday appear to be sold out, but there’s always a chance of an extra ticket at the door.

Maxwell’s is at 1039 Washington St., Hoboken, NJ 07030. (201) 653-1703.

The Feelies open for Yo La Tengo at the Wellmont Theater in Montclair, N.J., on New Year's Eve 2008.

The Feelies open for Yo La Tengo at the Wellmont Theater in Montclair, N.J., on New Year's Eve 2008.

Fountains of Wayne at Maxwell’s

FOW Chris at mic

Chris Collingwood is the voice of Fountains of Wayne at Maxwell's in Hoboken, N.J., on Monday, June 29.

When you see the legend “Fountains of Wayne (Acoustic)” on your ticket, it means you get the same show from the amazing popsmiths that you’d get in a big hall, but with the band’s two guitarists playing acoustic (albeit amplified), guitars. Everything else is just as electrified as it would be in an “electric” show

The band, named for a now-defunct North Jersey lawn ornament shop, favored the sold out crowd at Maxwell’s with most of their favorites (they did Radiation Vibe but omitted Sink to the Bottom) and a few really good new songs.

Near the end of the set, they launched into a medley of Seventies songs, kicking off with a Michael Jackson tribute of sorts as Adam Schlesinger launched into the insistent bass line of Beat It. That segued into Yes’ Roundabout (with Chris Collingwood playing a mean guitar line), and thence into Kansas’ Carry On Wayward Son, followed by Led Zeppelin’s Stairway to Heaven and wrapping up with Steve Miller’s Jet Airliner.

FOW Adam Hedshot

Adam Schlesinger played bass and keyboards.

FOW Chris and Jody

FOW's Chris Collingwood and the ever versatile Jody Porteron bass.

FOW Opener

Mike Viola and Kelly Jones opened the show.

Michael, we’ll miss you!

Michael Jackson performing "Billie Jean" in 2001.

Michael Jackson performing "Billie Jean" in 2001.

Michael Jackson was an amazing artist whose songs were often unbelievably awesome when he performed them, and were equally good when covered by all sorts of other artists. We have lost the artist, but his artistry and influence will endure.

Belle & Sebastian

Belle & Sebastian

Somehow, Belle & Sebastian’s version of Billie Jean comes to mind as a good example. I’ll leave you with that as my tribute to Michael. (Thanks to TheMusicSlut.com for posting.)

Belle & Sebastian — Billie Jean

Coroner: Jay Bennett died of painkiller OD

Jay Bennett

Jay Bennett

A month after former Wilco member Jay Bennett was found dead at home in Urbana, Ill., a coroner has announced that an overdose of painkillers killed the 45-year-old multi-instrumentalist.

Duane Northrup, the coroner of Champaign County, Ill., said that tests showed Jay died on May 24 from an overdose of fentanyl, a drug prescribed to treat chronic pain, and that his death was being investigated as an accident.

Before his death, Jay posted a message on his MySpace blog saying he needed hip-replacement surgery, but was having diffculty paying for it because of a lack of insurance. He blamed the injury on years of “stage jumps and various other rock and roll theatrics.”

Jay, who was also a singer-songwriter, started playing with Wilco in 1996 and contributed to the albums Being There, Summerteeth and Yankee Hotel Foxtrot before he fell out with Jeff Tweedy, the band’s leader. Jay filed a breach of contract suit against Tweedy just weeks before his death, in what look a lot like a desperate attempt to raise money  to pay for his surgery.

Stew and Heidi are working on a Passing Strange followup

stew-autograph

Stew outside the Belasco Theatre after the final performance of Passing Strange. (Copyright 2009, Steven P. Marsh)Attention, Strange Freaks! Stew and Heidi are at work on a new show.

Attention Strange Freaks: Stew and Heidi are at it again!

Stew, who won a 2008 Tony Award for the book of the hit rock musical Passing Strange, and Heidi Rodewald, who co-wrote the music, have another show in the works!

Stew, who has repeatedly and vigorously made it clear in song and speech that he’s glad he’s not on Broadway anymore, never said he wouldn’t write another play. But his grueling Broadway experience made him realized that  if he did another show, he would not write himself into it. (Passing Strange is a fictionalized version of Stew’s coming of age, in which actor Daniel Breaker portrayed Stew under Stew’s watchful eye as narrator.)

Heidi Rodewald

Heidi Rodewald

Stew talks about the work in progress in a new interview with Theatermania.com, revealing that Joanna Settle will direct the show at NYC’s Public Theater, a venue that played a pivotal role in the creation and nurturing of Passing Strange.

Stew and Settle aren’t strangers. Stew recently composed the music for a site-specific outdoor production of Shakespeare’s A Midsummer Night’s Dream that Settle is directing for Shakespeare on the Sound in Connecticut.

Here’s an excerpt from Stew’s wide-ranging interview:

I had wanted to work with the director Joanna Settle, who is also going to be directing the new work at the Public that Heidi Rodewald and I are doing. And, of course, working with Shakespeare’s words is like a great vacation for me. I like nothing more than writing music. I don’t particularly like writing lyrics or books or prose, but music is a joy for me. I’m like a kid with a basketball; it’s not really work. I love that people think it’s work, but the truth is it’s fun. Making words, that’s a job. … [The new show in the works] has nothing to do with me. I mean, I’m writing it so it has something to do with me, but the subject matter doesn’t. We’re having fun with a few historical figures, and that’s about all I can say about it at this point except that it’s music-oriented. I have not cast myself in it because I now have the brains to know I won’t be able to get anything done if I am trapped in a play.

The interview doesn’t answer the question of when the show will be staged. So it’s likely that Strange Freaks — as members of the Passing Strange family are known — will likely have to wait awhile to see it. But, as with Passing Strange, Stew will almost certain try out the songs in his upcoming concerts. Passing Strange, for instance, was developed in part from his Travelogue shows back in 2004.

(For the full interview, visit Theatermania.com. Thanks to Bill Bragin (@activecultures) for bringing it to my attention.)

Luckily,  Strange Freaks won’t have to wait for that show to get another dose of Stew and Heidi. Keep reading for all the details. Continue reading

Doveman at (Le) Poisson Rouge

Doveman LPR at piano

Doveman's Thomas Bartlett at (Le) Poisson Rouge's grand piano on June 18. (All photos copyright 2009, Steven P. Marsh)

Doveman, the band alter ego of pianist and singer Thomas Bartlett, always surprises.

In part the surprise comes from the band’s constantly changing lineup of musicians. And there’s always surprise in Bartlett’s decliately fractured Doveman songs.

Doveman close group

Aaron Dessner, Oren Bloedow, Sam Amidon and Bryce Dessner.

The show at (Le) Poisson Rouge last night was billed as “Doveman with Sam Amidon and members of The National.”

Thomas Bartlett and Nico Muhly

Thomas Bartlett and Nico Muhly

As it turned out, the unnamed members of The National (the Brooklyn art-rock band with which Bartlett sometimes plays) were guitarists Bryce Dessner and Aaron Dessner and drummer Bryan Devendorf — in other words, three-fifths of The National. But Thomas got help from even more players — Nico Muhly, Oren Bloedow of Elysian Fields, Sam and singer Dawn Landes —  to the point that he declared the ensemble the largest version of Doveman to ever appear onstage.

Doveman played a splendind set, mixing favorites like “Honey” with new songs from the upcoming album (click here for Doveman news from Brassland, the band’s record label). The band closed the set with pretty rocking cover of Tom Petty’s “Free Fallin’. The crowd, which was peppered with celebrities such as Josh Ritter and Justin Bond, reacted enthusiastically to every song.

For more on Doveman, plus videos from last night’s show, keep reading. Continue reading

Jonathan Richman — night 2!

Jonathan night 2 1

Jonathan Richman at NYC's Bowery Ballroom on June 17, 2009. (Copyright 2009, Steven P. Marsh)

Here are a few shots, and a video, from Jonathan Richman‘s show on Wednesday night, June 17, at the Bowery Ballroom in NYC.

Tommy Larkins and Jonathan Richman. (Copyright 2009, Steven P. Marsh)

Tommy Larkins and Jonathan Richman. (Copyright 2009, Steven P. Marsh)

The energy level was distinctly different than the night before. Even Jonathan admitted toward the end of the show that something wasn’t right, something was missing. (Jonathan mixes up the set every  time he plays, and doesn’t use a set list.)

But he fixed it by playing “Springtime in New York” as his parting tune.

Here’s a video I shot of Jonathan performing “Girlfriend” at the show:

Rock of ages: Babe the Blue Ox at The Brooklyn Historical Society

Babe the Blue Ox.

Babe the Blue Ox.

Babe the Blue Ox, a Brooklyn rock band that suddenly rejuvenated itself and started playing a lot of shows in the last year — after a long hiatus since its heyday in the 1990s — is kicking off its summer scheduled with an outdoor show at The Brooklyn Historical Society on Sunday.

The band just posted this announcement on facebook:

While we haven’t been around quite long enough to qualify as one of its exhibitions, the Brooklyn Historical Society seems a suitably odd place to play music, outside, without a real sound system to inhibit the “rock” from exploding off the sidewalk.

If you’re in the neighborhood or feel like taking a stroll down the fabulous Brooklyn Heights Promenade, we’ll be happy to do our best to fill your afternoon with mirth, and our formidable (musical) girth. – Tim, Eddie, Hanna and Rose

This will just be a short, free set. But BOX, which has been playing out quite a bit lately, has one more show scheduled. And I’m guessing there are more brewing.  The band is booked to play an Alt Cabaret show at the Massachusetts Museum of Contemporary Art (MASS MoCA) on July 18, during the Bang on a Can Summer Music Festival at the awesome museum housed in a repurposed factory in Western Massachusetts. It’s a good distination for a weekend getaway. And if you’re wondering why the band is playing during a BoaC festival, here’s the answer: one of BOX’s founding members has a day job with the New Music organization!

Babe the Blue Ox performs at 4 p.m. Sunday at The Brooklyn Historical Society, 128 Pierrepont Street at Clinton Street, Brooklyn. (718) 222-4111 Free.

Also appearing at 8 p.m. Saturday, July 18, at the Massachusetts Museum of Contemporary Art, 1040 MASS MoCA Way, North Adams, Mass.    (413) MoCA1111. Click here for tickets and more information. $14 in advance.

Night 1: Vic Chesnutt and Jonathan Richman at the Bowery Ballroom

Jonathan Richman, off-kilter as usual, at the Bowery Ballroom, NYC, on June 16. (Photos copyright 2009, Steven P. Marsh)

Jonathan Richman, off-kilter as usual, at the Bowery Ballroom, NYC, on June 16. (Photos copyright 2009, Steven P. Marsh)

They say a picture is worth a thousand words. Jonathan Richman‘s set at NYC’s Bowery Ballroom last night was so wonderful it left me virtually speechless. And Athens, Ga., legend Vic Chesnutt‘s opening set was revelatory, as well.

Vic C gets ready

Vic Chesnutt preparing before his set.

Newsflash: Vic told the crowd last night that Jonathan had recently flown him to San Francisco, where Vic recorded his new album, with Jonathan and his drummer, Tommy Larkins, backing him up. “It went pretty well,” the paraplegic singer-songwriter said with a grin.

I’ll be back for tonight’s show, expecting something equally entertaining. You should be there too.

Check out more photos after the jump. Continue reading