Category Archives: Music

Doveman at (Le) Poisson Rouge

Doveman LPR at piano

Doveman's Thomas Bartlett at (Le) Poisson Rouge's grand piano on June 18. (All photos copyright 2009, Steven P. Marsh)

Doveman, the band alter ego of pianist and singer Thomas Bartlett, always surprises.

In part the surprise comes from the band’s constantly changing lineup of musicians. And there’s always surprise in Bartlett’s decliately fractured Doveman songs.

Doveman close group

Aaron Dessner, Oren Bloedow, Sam Amidon and Bryce Dessner.

The show at (Le) Poisson Rouge last night was billed as “Doveman with Sam Amidon and members of The National.”

Thomas Bartlett and Nico Muhly

Thomas Bartlett and Nico Muhly

As it turned out, the unnamed members of The National (the Brooklyn art-rock band with which Bartlett sometimes plays) were guitarists Bryce Dessner and Aaron Dessner and drummer Bryan Devendorf — in other words, three-fifths of The National. But Thomas got help from even more players — Nico Muhly, Oren Bloedow of Elysian Fields, Sam and singer Dawn Landes —  to the point that he declared the ensemble the largest version of Doveman to ever appear onstage.

Doveman played a splendind set, mixing favorites like “Honey” with new songs from the upcoming album (click here for Doveman news from Brassland, the band’s record label). The band closed the set with pretty rocking cover of Tom Petty’s “Free Fallin’. The crowd, which was peppered with celebrities such as Josh Ritter and Justin Bond, reacted enthusiastically to every song.

For more on Doveman, plus videos from last night’s show, keep reading. Continue reading

Jonathan Richman — night 2!

Jonathan night 2 1

Jonathan Richman at NYC's Bowery Ballroom on June 17, 2009. (Copyright 2009, Steven P. Marsh)

Here are a few shots, and a video, from Jonathan Richman‘s show on Wednesday night, June 17, at the Bowery Ballroom in NYC.

Tommy Larkins and Jonathan Richman. (Copyright 2009, Steven P. Marsh)

Tommy Larkins and Jonathan Richman. (Copyright 2009, Steven P. Marsh)

The energy level was distinctly different than the night before. Even Jonathan admitted toward the end of the show that something wasn’t right, something was missing. (Jonathan mixes up the set every  time he plays, and doesn’t use a set list.)

But he fixed it by playing “Springtime in New York” as his parting tune.

Here’s a video I shot of Jonathan performing “Girlfriend” at the show:

Rock of ages: Babe the Blue Ox at The Brooklyn Historical Society

Babe the Blue Ox.

Babe the Blue Ox.

Babe the Blue Ox, a Brooklyn rock band that suddenly rejuvenated itself and started playing a lot of shows in the last year — after a long hiatus since its heyday in the 1990s — is kicking off its summer scheduled with an outdoor show at The Brooklyn Historical Society on Sunday.

The band just posted this announcement on facebook:

While we haven’t been around quite long enough to qualify as one of its exhibitions, the Brooklyn Historical Society seems a suitably odd place to play music, outside, without a real sound system to inhibit the “rock” from exploding off the sidewalk.

If you’re in the neighborhood or feel like taking a stroll down the fabulous Brooklyn Heights Promenade, we’ll be happy to do our best to fill your afternoon with mirth, and our formidable (musical) girth. – Tim, Eddie, Hanna and Rose

This will just be a short, free set. But BOX, which has been playing out quite a bit lately, has one more show scheduled. And I’m guessing there are more brewing.  The band is booked to play an Alt Cabaret show at the Massachusetts Museum of Contemporary Art (MASS MoCA) on July 18, during the Bang on a Can Summer Music Festival at the awesome museum housed in a repurposed factory in Western Massachusetts. It’s a good distination for a weekend getaway. And if you’re wondering why the band is playing during a BoaC festival, here’s the answer: one of BOX’s founding members has a day job with the New Music organization!

Babe the Blue Ox performs at 4 p.m. Sunday at The Brooklyn Historical Society, 128 Pierrepont Street at Clinton Street, Brooklyn. (718) 222-4111 Free.

Also appearing at 8 p.m. Saturday, July 18, at the Massachusetts Museum of Contemporary Art, 1040 MASS MoCA Way, North Adams, Mass.    (413) MoCA1111. Click here for tickets and more information. $14 in advance.

Vieux Farka Touré carries on the family tradition at Highline Ballroom

Vieux Farka Touré

Vieux Farka Touré

African singer Vieux Farka Touré put out his first album in 2006, the year his father, legendary world-blues singer and guitarist Ali Farka Touré died.

Since then, Vieux has been carrying on the family tradition, mixing the sounds of his native Mali with other influences from around the world. He’s stopping in NYC for a show this weekend, and it promises to be good one.

In a great new Q&A with The Ithaca Journal, Vieux talks about his influences and carrying on his father’s work:

I come from that tradition [of Malian music], I must be respectful of it, and I love it, too. But then, I’m 28 years old and I listen to music from everywhere like a lot of young people: bangra, reggaeton, hip hop, blues, rock and roll. Now this always surprises people, but I really like Phil Collins!

So obviously all that shows up in my music …that said, I will always have one foot firmly planted in Mali’s traditional music, and one foot in all kinds of new music. Our musical traditions are so rich and so vast, and I think all Malian musicians know that we have a responsibility to share this wealth with the rest of the world.

Click here for the full interview.

Vieux Farka Touré performs at 7 p.m. Saturday at the Highline Ballroom, 431 West 16th Street, Manhattan. Click here for more information and tickets. $17 in advance, $20 day of show.

Night 1: Vic Chesnutt and Jonathan Richman at the Bowery Ballroom

Jonathan Richman, off-kilter as usual, at the Bowery Ballroom, NYC, on June 16. (Photos copyright 2009, Steven P. Marsh)

Jonathan Richman, off-kilter as usual, at the Bowery Ballroom, NYC, on June 16. (Photos copyright 2009, Steven P. Marsh)

They say a picture is worth a thousand words. Jonathan Richman‘s set at NYC’s Bowery Ballroom last night was so wonderful it left me virtually speechless. And Athens, Ga., legend Vic Chesnutt‘s opening set was revelatory, as well.

Vic C gets ready

Vic Chesnutt preparing before his set.

Newsflash: Vic told the crowd last night that Jonathan had recently flown him to San Francisco, where Vic recorded his new album, with Jonathan and his drummer, Tommy Larkins, backing him up. “It went pretty well,” the paraplegic singer-songwriter said with a grin.

I’ll be back for tonight’s show, expecting something equally entertaining. You should be there too.

Check out more photos after the jump. Continue reading

The art of The Feelies on display next week

The Feelies, from left, Stanley Demeski, Glenn Mercer, Bill Million and Brenda Sauter, at the Wellmont Theater, Montclair, N.J., on New Year's Eve 2008. (Copyright Steven P. Marsh)

The Feelies, from left, Stanley Demeski, Glenn Mercer, Bill Million and Brenda Sauter, at the Wellmont Theater, Montclair, N.J., on New Year's Eve 2008. (Copyright Steven P. Marsh)

The Feelies are used to playing in clubs and concert halls. But next week, the band’s modern musical art will be on display in an unusual setting: The Whitney Museum of American Art.

The band —  comprising guitarists Glenn Mercer and Bill Million, along with Brenda Sauter on bass, Stanley Demeski on drums and Dave Weckerman on percussion — is giving a rare acoustic performance at the Whitney a week from Friday in the museum’s lower-level store and cafe area.

The space, which regularly hosts rock and classical ensembles, is tight and seating is limited. But this should still be a good warm-up (or more likely, a dress rehearsal) for their Fourth of July weekend shows at Maxwell’s in Hoboken.

The Feelies' percussionist Dave Weckerman hard at work.

The Feelies' percussionist Dave Weckerman hard at work. (Copyright Steven P. Marsh)

The Feelies perform at 7 p.m. Friday, June 26. At the Whitey Museum of American Art, 945 Madison Ave., Manhattan. Free with museum admission, tickets are available on day of show only, starting at 1 p.m. For more information, click here.

The Feelies also perform July 2-4 at Maxwell’s, 1039 Washington St., Hoboken. July 3 is sold out, but tickets remain for the other two shows. $25. Click here to buy.

Strange Freaks: Don’t miss Colman Domingo in The Wiz!

Colman Domingo (Photo copyright 2008 by Steven P. Marsh)

Colman Domingo (Copyright 2008 by Steven P. Marsh)

Okay, my monthlong grand jury stint is killing me. It’s making me lose track of things. I am so off balance that I discovered only today that it was announced 11 days ago that one of my favorite actors in the world, the great Colman Domingo, will be taking over from Orlando Jones in the title role of The Wiz for the last six performances (June 29-July 5) of the Encores! Summer Stars revival at New York City Center.

Better late than never, eh? For a full report from Broadwayworld.com on what the former Passing Strange star is up to in Encores!, click here.

Tickets, priced from $25-$110, are available here. Continue reading

Saying goodbye to saxophone legend Sam Butera

Sam Butera

Sam Butera

Jerry DeMarco

Jerry DeMarco

Blogger Jerry DeMarco, a friend and former colleague of mine, usually writes about crime and criminals in Northern New Jersey. But he took some time out from that yesterday to write about another love of his — music — when he noted the passing of saxophone great Sam Butera. Here’s a taste of Jerry’s tribute:

They buried Sam Butera in Las Vegas yesterday, giving Gabriel the one saxophonist who could make a heavenly band swing like the devil. Darkly handsome, Uncle Sam died earlier this month — a footnote for many in the musical world but a noted loss for anyone who knew where rock and roll really began.

Butera, 81, tenor played sax behind Louis Prima, a combination rivaled in our generation only by The Boss and the Big Man. He helped make Big Bad Voodoo Daddy, Royal Crown Revue, and the latest incarnation of Brian Setzer possible.

If you don’t believe me, go to YouTube or dig up few Prima classics: “Buona Sera,” “Jump, Jive An’ Wail,” or “5 Months, Two Weeks, Two Days.” Listen, in particular, especially to “Oh, Marie,” where Prima scats in English and Italian — and Butera matches him note-for-note.

For the full text, please visit Jerry’s web page by clicking here.

What I did on my summer vacation — Friedlander style

Erik Friedlander at The Stone in New York City on June 14, 2009

Erik Friedlander at The Stone in New York City on June 14, 2009

Erik Friedlander probably didn’t realize that his childhood was so different than most kids his age. Spending 2 1/2 months every summer traveling around the United States in a camper atop a 1966 Chevrolet pickup truck was the norm. After all, it was his dad’s job, and dad liked to take the family on the road while he worked.

Lee Friedlander

Lee Friedlander

But Erik’s dad isn’t like most dads. He’s photographer Lee Friedlander, and every summer, like clockwork, he took his children, Erik and Anna, and wife Maria on the road while he shot photos on assignment, worked at teaching gigs and made his own images on the road.

Erik’s parents told him the experiences were “enriching,” he explained last night to an audience at The Stone, John Zorn‘s music venue in NYC’s Lower East Side. While Erik didn’t get that while he was a kid, he said he finally understands and connects with the idea. It proved so enriching that it has become the theme of Block Ice and Propane, the new solo show Erik is developing in conjunction with experimental filmmaker Bill Morrison.

Erik and Bill was road-testing the show at The Stone last night. It grew out of Erik’s 2007 show at Joe’s Pub, where he played the music of his then-new album, Block Ice and Propane, while projecting a few of the images that illustrated things that inspired the pieces. But this new version has been expanded with additional tunes and more extensive use of family photos (many taken by Erik’s father, and some by his mother) and new films by Bill, who specializes in working with musicians.

Erik Friedlander

Erik Friedlander plucks the cello with one of his father's photos projected in the background.

In this show, which Bill directs, Erik plays each tune with great intensity, changing the tuning of his early 20th Century instrument against its creaking protestations.

Here’s Erik’s description of his show:

I will be performing a new show this coming Summer and Fall starting August 1 at The Hopkins Center for Arts in Dartmouth. The new show, which will be directed by film-maker Bill Morrison, is an expansion of the Block Ice & Propane concert I experimented with first at Joe’s Pub in New York. At that performance I projected a few images from the family trips that inspired the music.

Bill and I will be workshopping ideas here in New York and then up at Dartmouth. Some of these ideas include using more projected images, a set, as well as the premiere of new pieces to go with the new program. The Block Ice show will be presented at The Hop in Dartmouth, PICA TBA festival in Portland, Ore., The Walker Arts Center in Minneapolis and the Wexner Art Center in Ohio.

There were bumps and missed cues in last night’s run-through, and Erik cautioned the capacity crowd in the airless former that they were witnessing a work in progress. But on the whole, the show was mesmerizing. While it’s only a start, the idea holds great promise.

ErikFriedlanderandscreen

Erik Friedlander picks up the bow.

It’s radio without broadcasting!

Norah Jones and the cast of Radio Happy Hour.

Norah Jones and the cast of Radio Happy Hour. (Photos by SPM. All rights reserved.)

Radio Happy Hour kicked off with a full house at Le Poisson Rouge in Greenwich Village yesterday afternoon.

Yes, a good-sized crowd filled the dark Bleecker Street basement club for a 2 p.m. Saturday show that featured singer-songwriter cum actress Norah Jones as guest on a modern take on an old-fashioned radio show. It was just like radio in that it had a cast, sound effects, micophones and a live audience. But there was no radio broadcast. The show was recorded as a podcast.

Norah Jones and host Sam Osterhout,

Norah Jones and host Sam Osterhout,

Norah gamely participated in the first of a series of three planned Radio Happy Hour show this summer. answering questions from host Sam Osterhout, playing a couple of songs on an acoustic guitar, listening to Sam do a slightly absurd trivia quiz to a member of the audience and joining the cast for an amusingly silly radio drama called Terror in Teaneck.

Here’s a video of one of Norah’s songs:

It turned out to be a perfectly pleasant way to spend an hour or with LPR’s brunch menu and some drinks.

There are two more shows scheduled: Michael Showalter joins the show at 2 p.m. on July 11 and Andrew W.K. will be there at 2 p.m. on Aug. 8. At Le Poisson Rouge, 158 Bleecker Street, NYC. Ticket are available here. $5.