Tag Archives: Joanna Settle

Stew and Heidi are in good hands

Director Joanna Settle at the post-show talkback at the final Shakespeare on the Sound show. (Copyright 2009, Steven P. Marsh)

Director Joanna Settle at the post-show talkback at the final performance of A Midsummer Night's Dream for Shakespeare on the Sound. Jesse Perez (Puck) looks on. (Copyright 2009, Steven P. Marsh)

Director Joanna Settle says she first met Stew at NYC’s Public Theater in 2007, when she went to tell him to turn down the volume of the music for Passing Strange. She was in another theater in the building, working on what she called a “little genocide play” — aka the developmental production of Winter Miller’s In Darfur — and his rock music was just a little too loud to suit her at that moment.

Heidi Rodewald

Heidi Rodewald

bigstew

Stew

After they got that out of the way, though, it seems that a great working relationship was born.

Judging from the way Joanna has continued to work with Stew, commissioning him to compose an original score for A Midsummer Night’s Dream,  her first production as artistic director of Connecticut’s Shakespeare on the Sound, it truly is a great relationship.

The score for the Shakespeare production, which closed on Sunday, was vintage Stew, full of the lush pop sounds that characterize his appealing work. (You’ll be able to judge for yourself soon, as the Shakespeare company is releasing a CD of Stew performing the songs.) It was perfectly paired with the Bard’s words, and organically integrated into the structure of the show. That was a treat, as I’ve seen too many outdoor Shakespeare productions into which some pop songs awkwardly shoehorned.

And the production, played out on a serpentine boardwalk of a stage, was imaginatively conceived and directed. It gives me high hopes for Stew and Heidi’s collaboration with Joanna.

Joanna Settle continues her conversation with the audience.

Joanna Settle continues her conversation with the audience.

As I’ve reported before on this blog, Joanna will continue to work with Stew. She’s signed on to direct the next play that Stew and his longtime collaborator Heidi Rodewald are working on. There’s no date or title announced, but it’s slated to be presented at The Public Theater.

It’s a good bet that we’ll get more clues about the nature of the new piece when Stew, Heidi and The Broadway Problem take the stage at Lincoln Center Out of Doors on Aug. 19.  Click here for more information.  The show will be at the bandshell in Damrosch Park at West 62nd Street and Amsterdam Avenue at the southwest corner of the Lincoln Center campus. The performance starts at  7 p.m. Free.

Stew and Heidi are working on a Passing Strange followup

stew-autograph

Stew outside the Belasco Theatre after the final performance of Passing Strange. (Copyright 2009, Steven P. Marsh)Attention, Strange Freaks! Stew and Heidi are at work on a new show.

Attention Strange Freaks: Stew and Heidi are at it again!

Stew, who won a 2008 Tony Award for the book of the hit rock musical Passing Strange, and Heidi Rodewald, who co-wrote the music, have another show in the works!

Stew, who has repeatedly and vigorously made it clear in song and speech that he’s glad he’s not on Broadway anymore, never said he wouldn’t write another play. But his grueling Broadway experience made him realized that  if he did another show, he would not write himself into it. (Passing Strange is a fictionalized version of Stew’s coming of age, in which actor Daniel Breaker portrayed Stew under Stew’s watchful eye as narrator.)

Heidi Rodewald

Heidi Rodewald

Stew talks about the work in progress in a new interview with Theatermania.com, revealing that Joanna Settle will direct the show at NYC’s Public Theater, a venue that played a pivotal role in the creation and nurturing of Passing Strange.

Stew and Settle aren’t strangers. Stew recently composed the music for a site-specific outdoor production of Shakespeare’s A Midsummer Night’s Dream that Settle is directing for Shakespeare on the Sound in Connecticut.

Here’s an excerpt from Stew’s wide-ranging interview:

I had wanted to work with the director Joanna Settle, who is also going to be directing the new work at the Public that Heidi Rodewald and I are doing. And, of course, working with Shakespeare’s words is like a great vacation for me. I like nothing more than writing music. I don’t particularly like writing lyrics or books or prose, but music is a joy for me. I’m like a kid with a basketball; it’s not really work. I love that people think it’s work, but the truth is it’s fun. Making words, that’s a job. … [The new show in the works] has nothing to do with me. I mean, I’m writing it so it has something to do with me, but the subject matter doesn’t. We’re having fun with a few historical figures, and that’s about all I can say about it at this point except that it’s music-oriented. I have not cast myself in it because I now have the brains to know I won’t be able to get anything done if I am trapped in a play.

The interview doesn’t answer the question of when the show will be staged. So it’s likely that Strange Freaks — as members of the Passing Strange family are known — will likely have to wait awhile to see it. But, as with Passing Strange, Stew will almost certain try out the songs in his upcoming concerts. Passing Strange, for instance, was developed in part from his Travelogue shows back in 2004.

(For the full interview, visit Theatermania.com. Thanks to Bill Bragin (@activecultures) for bringing it to my attention.)

Luckily,  Strange Freaks won’t have to wait for that show to get another dose of Stew and Heidi. Keep reading for all the details. Continue reading