Category Archives: Pop and Rock

Asphalt paves the way tomorrow night

The co-conspirators in Asphalt Orchestra, which makes its world premiere at Lincoln Center Out of Doors tomorrow.

The co-conspirators in Asphalt Orchestra.

As Will You Miss Me When I’m Gone? has been telling you, Asphalt Orchestra is makes its world premiere performance tomorrow night, the opening night of the Lincoln Center Out of Doors free music festival.

The off-kilter marching band has lots of interesting music on the program, but I’m particularly excited about the world premiere of a piece composed for the group by Stew and Heidi Rodewald, bandmates in The Negro Problem and the creative team behind the musical Passing Strange.

The New York Times did a piece on Stew and Heidi the other day that touched on their work for Asphalt Orchestra:

“These are not musicians who follow the rules,” said Bill Bragin, director of public programming at Lincoln Center, explaining their approach to music and hence their appeal.

The work that they created for the opening of the festival, “Carlton,” is an instrumental piece that Ms. Rodewald described recently in a phone interview from her home in Brooklyn as “pretty marching band-ish.” The work is part of the debut performance by the Asphalt Orchestra, an avant-garde marching band that is an outgrowth of the Bang on a Can music collective. The show, which will be performed on Wednesday and on Aug. 9, will be something of a spectacle, with contemporary dance choreography by Susan Marshall and costumes designed by Elizabeth Hope Clancy.

The iconoclastic Bang on a Can ensemble will perform other new works by Tyondai Braxton (of Battles) and Balkan legend Goran Bregovic, plus explosive arrangements of songs by Bjork, Meshuggah, Charles Mingus, Conlon Nancarrow, and Frank Zappa. The group comprises some amazing players around,  featuring Jessica Schmitz (piccolo), Ken Thomson, Peter Hess, Alex Hamlin (saxophones), Steph Richards, Shane Endsley (trumpets), Alan Ferber, Jen Baker (trombones), Ken Bentley (sousaphone), Yuri Yamashita, Sunny Jain, Nick Jenkins (percussion).

Click here for my previous post about Asphalt Orchestra, which includes a rehearsal video.

Of course the Asphalt Orchestra presentation is just one of dozens of amazing performances that will be taking place in the outdoor spaces of Lincoln Center through Aug. 23. Everything is free and no tickets are required. Click here for the full schedule.

Hey, Strange Freaks — Stew and Heidi are really Making It

Stew at the Belasco Theatre's stage door after the final performance of "Passing Strange" last summer. (Copyright 2008, Steven P. Marsh)

Stew at the Belasco Theatre's stage door on July 20, 2008, after the final performance of "Passing Strange" last summer. (Photos copyright 2008, Steven P. Marsh)

If you’re a true Strange Freak — a fan of Stew, Heidi Rodewald and their extended theater family from the musical Passing Strange — you already know that Stew and Heidi aren’t resting on the laurels they received for that show. They have a new project in the works slated for a short run next February at St. Ann’s Warehouse, the arts center in the DUMBO section of Brooklyn.

Heidi Rodewald greets fans outside the Belasco Theatre.

Heidi Rodewald greets fans outside the Belasco Theatre.

But early this morning Will You Miss Me When I’m Gone? exclusively revealed that the prestigious arts-funding organization Meet the Composer‘s grant program for 2009 includes an award to Stew and St. Ann’s for the show, called Making It. This is not their next play, which has commitments from The Public Theater in Manhattan. It’s a multi-media rock-show presentation (something that should seem familiar to anyone who’s seen Passing Strange) featuring a collage of song, text, and video tracing “the unlikely careers of Stew and Heidi from the dive rock clubs of Hollywood to the footlights of Broadway — with Stew as your helpful guide to Making It,” according to the St. Ann’s web site.

Meet the Composer today announced a slate of $450,000 in grants to 61 composers, performers and arts presenters. The the majority of the grant-winners are from the classical side of the contemporary music world. So it’s truly gratifying to see Stew, a remarkable talent from the pop world, recognized alongside composers like Steve Reich, John Harbison, David Lang and Julia Wolfe.

Tickets are available to St. Ann’s members now, and go on sale to the general public on Sept. 2. Click here to join St. Ann’s online and get immediate access to tickets for all of the upcoming shows there.

Congratulations to Stew and St. Ann’s!

Jay-Z to replace Beastie Boys at All Points West

Jay-Z at last year's Glastonbury Festival.

Jay-Z at last year's Glastonbury Festival.

Hip hop superstar Jay-Z is stepping up to replace the Beastie Boys as the headliner for the opening night of this year’s All Points West Festival, organizers announced late last night.

APW, held at Liberty State Park in Jersey City, N.J. From July 31 to Aug 2, is the first American music festival to feature Jay-Z.

The Beastie Boys canceled tour dates and postponed the release of their new album after Adam “MCA” Yauch announced Monday that he needs treatment for cancer in his parotid gland and in a lymph node.

Jay-Z performed at a variety of overseas festivals last year, including the U.K.’s Glastonbury, Denmark’s Roskilde Festival, Norway’s Hove Festival and the O2 Wireless Festival in London.

The Grammy winning artist joins Tool (Saturday) and Coldplay (Sunday) as headliners of the three-day festival. Other performers over the course of the long weekend include Echo & The Bunnymen, My Bloody Valentine, Vampire Weekend, MGMT, MSTRKRFT, Gogol Bordello, The Black Keys, Fleet Foxes, Neko Case, Yeah Yeah Yeahs, and Arctic Monkeys.

While festival organizers clearly fee that Jay-Z’s unprecedented appearance will more than satisfy most ticketholders, they will issue refunds for single-day tickets because of the Beastie Boys cancellation. Refunds are available where the tickets were purchased.

Who will replace the Beastie Boys at All Points West?

The crowd at the 2008 All Points West festival.

The crowd at the 2008 All Points West festival.

If you have tickets to next weekend’s All Points West music festival on Liberty Island in Jersey City N.J., it’s disappointing news that the Beastie Boys have canceled their appearance in the wake of Adam “MCA” Yauch‘s announcement yesterday that he has cancer — described as a “very treatable” tumor in his salivary gland.

In addition to canceling shows, the venerable rap group has delayed the release of its new album, Hot Sauce Committee Part 1 to give Adam, who is 44 years old, time to recover from the surgery he needs.

To tide you over, here’s a taste of Too Many Rappers, a track from the now-delayed album:

Vodpod videos no longer available.

With opening night just 10 days away, the pressing question is who’s available to replace the Beasties as headliner for the huge festival? Can the Yeah Yeah Yeahs, the night’s second-biggest act, step up to the top spot? It seems unlikely that Karen O and her quirky mates have broad enough appeal — especially with the Beasties’ older demographic — to satisfy the crowd.

Click through to the jump for a list of possible replacements at APW and to see MCA’s video announcement. Continue reading

Behind the scenes with Bang on a Can’s Asphalt Orchestra

Even though Midsummer Night Swing has only just begun its reign in Lincoln Center’s Damrosch Park, it’s not to early to start thinking about its sister program, Lincoln Center Out of Doors, which knocks down the dance floor and turns the park into a concert venue in August.

We’re just three weeks away from the debut of Asphalt Orchestra, an out-of-the-ordinary marching band created by Bang on a Can to perform world premieres of works by Stew and Heidi Rodewald of Passing Strange fame, Tyondai of Battles and Goran Bregovic, along with tunes by Icelandic pop star Bjork, Swedish experimental metal band Meshuggah, Charles Mingus, Conlon Nancarrow and Frank Zappa.

While many marching bands are heavily choreographed, I’m guessing no other band will be under the dance direction of modern dance choreographer Susan Marshall.

Asphalt has already started rehearsing. And here, thanks to Time Out New York, is a behind-the-scenes video about the group.

Vodpod videos no longer available.

Stew and Heidi are in good hands

Director Joanna Settle at the post-show talkback at the final Shakespeare on the Sound show. (Copyright 2009, Steven P. Marsh)

Director Joanna Settle at the post-show talkback at the final performance of A Midsummer Night's Dream for Shakespeare on the Sound. Jesse Perez (Puck) looks on. (Copyright 2009, Steven P. Marsh)

Director Joanna Settle says she first met Stew at NYC’s Public Theater in 2007, when she went to tell him to turn down the volume of the music for Passing Strange. She was in another theater in the building, working on what she called a “little genocide play” — aka the developmental production of Winter Miller’s In Darfur — and his rock music was just a little too loud to suit her at that moment.

Heidi Rodewald

Heidi Rodewald

bigstew

Stew

After they got that out of the way, though, it seems that a great working relationship was born.

Judging from the way Joanna has continued to work with Stew, commissioning him to compose an original score for A Midsummer Night’s Dream,  her first production as artistic director of Connecticut’s Shakespeare on the Sound, it truly is a great relationship.

The score for the Shakespeare production, which closed on Sunday, was vintage Stew, full of the lush pop sounds that characterize his appealing work. (You’ll be able to judge for yourself soon, as the Shakespeare company is releasing a CD of Stew performing the songs.) It was perfectly paired with the Bard’s words, and organically integrated into the structure of the show. That was a treat, as I’ve seen too many outdoor Shakespeare productions into which some pop songs awkwardly shoehorned.

And the production, played out on a serpentine boardwalk of a stage, was imaginatively conceived and directed. It gives me high hopes for Stew and Heidi’s collaboration with Joanna.

Joanna Settle continues her conversation with the audience.

Joanna Settle continues her conversation with the audience.

As I’ve reported before on this blog, Joanna will continue to work with Stew. She’s signed on to direct the next play that Stew and his longtime collaborator Heidi Rodewald are working on. There’s no date or title announced, but it’s slated to be presented at The Public Theater.

It’s a good bet that we’ll get more clues about the nature of the new piece when Stew, Heidi and The Broadway Problem take the stage at Lincoln Center Out of Doors on Aug. 19.  Click here for more information.  The show will be at the bandshell in Damrosch Park at West 62nd Street and Amsterdam Avenue at the southwest corner of the Lincoln Center campus. The performance starts at  7 p.m. Free.

On the road again: Satan and Adam tour rescheduled

Adam Gussow and Sterling "Mr. Satan" Magee

Adam Gussow and Sterling "Mr. Satan" Magee

As promised, Satan and Adam have worked out their scheduling issues and will be on tour in August. And this is a don’t-miss tour, because it’s probably the last time Adam Gussow and Sterling “Mr. Satan” Magee will be able to play in the Northeast (or anywhere more than a day’s trip from Satan’s Florida home).

Here’s Adam’s explanation:

We have rescheduled three of the gigs from our postponed June tour, and added two new dates.  Although Sterling will still be able to play occasional out-of-town dates from this point on, the word from his sister down in Florida is that all future touring will need to keep him away from home no more than three nights.  This means that our dates in Philly, Portsmouth NH, and Piermont NY are the last time you will be able to see Satan and Adam in those areas, except for possible fly-in dates.  We hope you’ll take this opportunity to show up and pay your respects to the one and only Mr. Satan, guitar-man of Harlem.

Satan and Adam playing on the street.

Satan and Adam playing on the street.

So far, the tour is short and sweet:

8/12:  Virginia Beach, VA – Jewish Mother (9 PM)

8/13:  Philadelphia, PA – World Cafe Live (7:30 PM, with special guest Charlie Sayles)

8/14:  Portmouth, NH – The Press Room (9 PM)

8/15:  Piermont, NY – The Turning Point (8 PM)

8/17:  Atlanta, GA – “blue Monday” party for Atlanta Harmonica Enthusiasts and others (7:30).  For info, please contact Jim McBride: bottle.blues@yahoo.com.  This party is open to the public, but only if you purchase an advance ticket from Jim.  Space is limited.  Potluck + BYOB.

Stay tuned to Will You Miss Me When I’m Gone? for updates and an in-depth interview with Adam. And check out Adam’s website for further information about Satan and Adam and Adam’s other endeavors.

An insider’s view of The Feelies

Glenn Mercer and Stanley Demeski.

Glenn Mercer and Stanley Demeski.

Katie Demeski

Katie Demeski

Katie Demeski, daughter of The Feelies drummer Stan Demeski, has come through as I hoped with a fastastic post on her blog about The Feelies’ Fourth of July Weekend shows at Maxwell’s. I’ll let her tell the story and try to get out of the way. Go, Katie:

So the Feelies shows came and went and, again, they were amazing. On the first night, three of my friends came. One of them, Matt, was even at the sound check. The sound check itself ran a little late, but in the first hour or so, Glenn started playing “Billie Jean”. Then Dave started singing in falsetto and playing his snare to the beat. It was absolutely hilarious and kind of made my day.

Anyway, so we ate at Maxwell’s and my other friends, Dan and Liebold arrived. It was pretty packed that night, but we were able to get pretty good spots. As for the actual show, this year the Feelies started things out with some more mellow songs like “When Company Comes,” and a cover of “Sunday Morning.” New additions to the lineup included “Egyptian Reggae”, “Moscow Nights”, “Everybody’s Got Something to Hide Except for Me and My Monkey,” and “Invitation” (although, as mentioned in a previous entry, they added that song on New Year’s Eve). There was even one new song, “Bluer Skies” on which Brenda’s husband, Rich Barnes of Wild Carnation, even played keyboard on it while sitting on the little crate that is used as a step to get to the stage at Maxwell’s.

Friday night I went to the sound check with my dad because my mom and my brother were going to take the train after my mom got out of work. Anyway, Dave again started singing Michael Jackson when Andy the sound man told him he could sing into his mic if he wanted. So he sang “Thriller” and I felt the need to text Matt and inform him about it. I just chilled at Maxwell’s for most of the afternoon, reading Under the Banner of Heaven by John Krakauer. The show was pretty much the same as the day before, except I was standing next to a particularly obnoxious tall drunk man who got more and more drunk as the night progressed. Regardless it was fun.

On the Fourth of July, I took the train to Hoboken with my mom and brother and it was pretty damn crowded especially for the Hawthorne train station. My dad had asked me earlier in the week if I would help Bill’s nephew, Ben, film for his Feelies concert movie. Ben and his friend (Nick, I think?) had attatched a camera holder-thing to a pole and I was instructed to put the end of the pole in my pocket and film from a little farther away than I had been standing, using the screen on the camera to keep track of the shot. Ben also had all of the Feelies go into the dressing room alone and he filmed each of them for five minutes, not asking them any questions or anything. When Bill came out he said, “I feel violated.”

Thanks, Katie. You are awesome. Click here to read the rest of Katie’s entry.

Two Guys and some classic rock songs

TWOGUYS

Dennis Diken

Dennis Diken

Ed Alstrom

Ed Alstrom

Whether you favor E.J. Korvettes or Two Guys — and even if you’re too young to know what those names once meant on the landscape of mass retailing — tonight is going to belong to Two Guys.

“Itinerant musician” Ed Alstrom and Smithereens drummer Dennis Diken have reached way back into the history of mass retailing for the name of their duo act — one of many in which these super hard-working players are involved.

I apologize for the late notice, but Dennis (on drums and vocals) and Ed (on piano and vocals) are bringing their good-time sound to the Smith Brothers Dining Saloon in Ridgewood, N.J., tonight.

Dennis Diken on drums.

Dennis Diken on drums.

Two Guys focuses on classic pop and rock. As Dennis explains it, “recent repertoire has featured plenty of Jive 5, most of the Beatles ‘Something New’ album, ‘Cast Your Fate To The Wind,’ Everly Bros., Gary Lewis & The Playboys, and Gene Pitney, of course.”

So you can count on hearing sounds like that, but, knowing Dennis, I’m sure there will be surprises. All in all, it will surely be an entertaining way to spend a Wednesday evening.

Two Guys perform tonight at 8 o’clock. Smith Brothers Dining Saloon, 51 N Broad St., Ridgewood, NJ 07450 (201) 444-8111. No cover.

The Feelies on the Fourth

Glenn Mercer, Stanley Demeski and Bill Million of The Feelies at Maxwell's on July 4, 2009. (Copyright 2009, Steven P. Marsh)

Glenn Mercer, Stanley Demeski and Bill Million of The Feelies at Maxwell's on July 4, 2009. (Copyright 2009, Steven P. Marsh)

It would be easy to get used to making a tradition out of celebrating the Fourth of July with The Feelies.

Although their long-awaited comeback started at Maxwell’s in Hoboken

Bill Million and bassist Brenda Sauter.

Bill Million and bassist Brenda Sauter.

on June 30-July 2,  2008 (and those shows thrilled me) , they announced their return in a big way  two days later, opening for Sonic Youth in NYC’s Battery Park on the Fourth of July. The sun, sweat, humidity and the huge crowd just made the experience more intense. The band did not disappoint.

Percussionist Dave Weckerman seems content to stay in the background.

Percussionist Dave Weckerman seems content to stay in the background.

As you’ve probably read here earlier, The Feelies took over Maxwell’s for three nights this month, from July 2-4.

On that last night, thousands crammed the streets and waterfront of Hoboken to see the Macy’s fireworks, while dozens of true believers ignored the holiday hoopla and chose to watch the guitar pyrotechnics of Glenn Mercer and Bill Million instead.

I didn’t mind missing the fireworks outside, not at all.

Glenn Mercer

Glenn Mercer

The Feelies are a band that doesn’t offer too many surprises. Their shows are like your favorite jeans, well-worn, broken in  and perfectly comfortable. They feel good — and just right. They don’t throw many curve balls — even the multiple covers they did as encores over the three nights had little variation from night to night. But none of that matters to a true Feelies fan. In fact, curve balls might ruin the equilibrium.

At the July 4 show, I was positioned very close to the stage. That made for clearer shots of individual band members or pairings of players, but didn’t give me a chance to shoot an overview. So this will give you a very different perspective than the previous night’s shots.

Rich Barnes of Wild Carnation (and Brenda's husband) helped out on keyboard.

Rich Barnes of Wild Carnation (and Brenda's husband) helped out on keyboard.

My position made it tough to spot local heroes in the audience. But at the end of the night, I spotted Georgia Hubley and Ira Kaplan of Yo La Tengo returning to the music room as the majority of the crowd was filing out. You can always count on them being at a Feelies show. The only other face I wish had been in the crowd was filmmaker Jonathan Demme, who featured The Feelies as “The Willies” in his 1986 movie Something Wild. I guess that was his payback for making  Stop Making Sense two years earlier about the Talking Heads instead of The Feelies!