Category Archives: Contemporary Classical

Owen Pallet: He’s not Final Fantasy anymore

Owen Pallett performs with the Bang on a Can All-Stars at the 2008 Bang on a Can Marathon at the World Financial Center Winter Garden. (Photo copyright 2008, Steven P. Marsh)

It’s no surprise that Owen Pallet, the talented young violinist who’s been plying his trade under the band name Final Fantasy, would have to come to terms with his name someday. And that day is here. He released his first album under his own name on Tuesday, after finally realizing he was getting too popular and known to avoid a trademark battle with the makers of the popular game of the same name.

He announced the name change last month. Even if you’ve never listened to any of his CDs, you’ve probably heard some of his work. Read more here.

If you’re one of the smart and lucky ones, you have tickets to his sold-out show at NYC’s Bowery Ballroom this Monday (Jan. 18). If you don’t have one of those cherished tickets, you can still get a taste of what Owen’s been up to by listening to Studio 360 with host Kurt Andersen this afternoon on WNYC radio.

Here’s a video of Owen in the WNYC studio performing “Lewis Takes Action.”

Studio 360 airs today at 4pm on WNYC 93.9FM and is repeated at 2pm tomorrow on AM820. You can also listen live online at WNYC’s web site or get a complete show podcast, Check out the Studio 360 web site for more information. You can also download two bonus tracks from Owen’s Studio 360 performance by clicking here.

Asphalt comes indoors

Asphalt Orchestra debuted at last summer's Lincoln Center Out of Doors Festival. (Photos copyright 2009, Steven P. Marsh)

Asphalt Orchestra, my very favorite avant-garde marching band — okay, I admit, it’s the only avant-garde marching band I know — high-steps it indoors tonight at Lincoln Center for a free show.

“We’re playing everything we’ve ever played — plus two new arrangements,” promises Asphalt saxophonist Ken Thomson.That means music by Frank Zappa, Meshuggah, Bjork, Tom Ze, Thomas Mapfumo, Stew and Heidi Rodewald, Goran Bregovic, Tyondai Braxton (of Battles), Charles Mingus and Conlon Nancarrow. Whew!

This is the only show the band — created by Bang on a Can for last summer’s the Lincoln Center Out of Doors Festiva — will be doing in NYC until the summer. And, while Asphalt is probably best seen and heard outdoors, marching up and down bleachers and wandering around the Lincoln Center campus, it’s a big plus that tonight’s show is indoors!

The show is scheduled to begin at 8:30 tonight in David Rubenstein Atrium at Lincoln Center, on Broadway between West 62nd and West 63rd streets, just east of the Plaza in the former Harmony Atrium space. It’s a perfect gateway to the arts center, with visitor information on all Lincoln Center tenants, a ticket office offering day-of-performance discounts, a performance space, a restaurant, free WiFi and restrooms.

Arrive early to get a good seat, as it’s first-come, first-served. For my part, I’m thinking about standing, just to remind me of my first experiences with Asphalt.

Asphalt Orchestra playing the world premiere performance of Stew and Heidi Rodewald's "Carlton."

New Music’s next wave

ICR DDS GVSUNME

Remixer Dennis DeSantis, in the shadows, left, with the Grand Valley State University New Music Ensemble at (Le) Poison Rouge. (Photos copyright 2009, Steven P. Marsh)

I saw and heard the future of New Music on Sunday night, and I am happy to report the future is bright.

ICR Sax Solo

A saxophone solo opens the performance of "In C."

The Grand Valley State University New Music Ensemble, which burst onto the scene with its fabulous 2007 performance (and followup recording) of Steve Reich‘s “Music for 18 Musicians”, filled (Le) Poisson Rouge last Sunday night with the sounds of another 20th Century classic — Terry Riley‘s “In C.”

ICR Jad

Radio Lab host Jad Abumrad was master of ceremonies.

Riley’s piece is more of a challenge than Reich’s because it is less structured, more mutable and highly shaped by the musical personality of the performers. The 15 talented players in GVSUNME — most of them students — played an engaging version that they made their own with the use of electronics and flourishes like a saxophone solo  to open the performance.

Sunday’s concert was a celebration of the release of In C Remixed, GVSUNME’s double-CD recording of In C and 18 remixes by 16 artists. The ensemble’s recording of “In C” clocks in at just over 20 minutes. For Sunday’s concert, the group played for about an hour. That’s the other major variable of the piece — it’s written in such a way that it can be as long or short, within certain limits, as the players want it to be.

Continue reading

Celebrate Julia Wolfe’s new album with four free concerts tomorrow

julia_wolfe

Composer Julia Wolfe

Bang on a Can co-founder Julia Wolfe‘s new CD, Dark Full Rid, is coming out tomorrow on Cantaloupe Music. Anyone who follows Bang on a Can closely will know most, if not all, of these pieces. The title piece is a blistering percussion suite that stands as one of my all-time favorites. It’s high time a recording became available.

To celebrate, Bang on a Can has organized a series of free concerts at four locations in Manhattan. If you are lucky enough to be able to make it to all four locations, you’ll have the honor of hearing the entire contents of the CD live on the day of release.

The shows are all free and open to the public. Here’s the full schedule:

11 am – “LAD” for 9 bagpipes
Matthew Welch plays live with eight recorded bagpipes
Roulette, 20 Greene Street (between Canal and Grand)

NOON – “Dark Full Ride” for 4 drumsets
Talujon Percussion Quartet (David Cossin, Dominic Donato, Michael Lipsey and Matt Ward).
Dauphin Human Design, 138 West 25th Street, 12th Floor (between 6th and 7th Avenues)

1 pm – “Stronghold” for 8 double basses
Robert Black and the Hartt Bass Band.
Chelsea Art Museum, 556 West 22nd Street (corner of 11th Avenue)

darkfullride.ocard.012:30 pm – “my lips from speaking” for 6 pianos
Lisa Moore, Lisa Kaplan, Blair McMillen, Timo Andres, Kate Campbell, Isabelle O’Connell on piano. Conducted by Sam Adams.
Faust Harrison Pianos, 205 West 58th Street (between 7th and 8th Avenues)

For more information about the album, click here.

Jad Abumrad to host In C Remixed live

Jad_Abumrad

WNYC Radio Lab host Jad Abumrad is MC for the In C Remixed show at (Le) Poisson Rouge on Sunday evening.

If you haven’t booked tickets for the In C Remixed show at (Le) Poisson Rouge tomorrow evening, here’s another incentive: the innovative radio host Jad Abumrad will be MC for the evening.,

Jad is host of WNYC’s Radio Lab, a program that Ira Glass of This American Life has called Jad’s program “the best show on radio.”

Jad is the perfect choice of hosts, as he’s one of the artists who remixed the Grand Valley State University New Music Ensemble‘s recording of Terry Riley‘s 20th Century classic In C for inclusion on the ensemble’s new In C Remixed CD.

With Jad as host and an opening set by the Slow Boys (Todd Reynolds and Michael Lowenstern, who also have remixes on the CD), it’s shaping up to be a memorable evening.

But if you really can’t make it, not to worry. The show is being recorded by WNYC/WQXR and will be available for listening on WQXR’s Q2 stream.

In C Remixed, featuring the GVSU New Music Ensemble and the Slow Boys is at (Le) Poisson Rouge, 158 Bleecker Street, Manhattan. (212) 505-3474. Doors at 6:30 pm, show at 7:30.  Click here for more info or here for tickets. $15 in advance.

The Long Count: From baseball saga to creation story

Long Count Dessners Ritchie

Stereogum Senior Writer Brandon Stosuy, left, interviews The Long Count creators Aaron Dessner, Bryce Dessner, Matther Ritchie at the Brooklyn Academy of Music. (Copyright 2009, Steven P. Marsh)

What did I learn from the artist talk for The Long Count at the Brooklyn Academy of Music last weekend?

For starters, that twin brothers Aaron and Bryce Dessner (of rock band The National) wanted to write a baseball saga when Joe Melillo, BAM’s executive producer,  invited them to create a show for this year’s Next Wave Festival. They wanted to work with acclaimed writer and baseball fanatic Michael Chabon, but that didn’t work out. Then the teamed up with British visual artist Matthew Ritchie, who persuaded them to adopt the structure of the Mayan Popol Vuh creation story, which involves a heroic set of ball-playing twins. It was a good move.

The resulting show, which ended its run at BAM on Halloween, was a treat for the eyes, ears and mind.

The Dessners chose to work with a great orchestra, many of whom, like violist Nadia Sirota, are very active in the same contemporary classical-rock crossover circles they are. And their featured collaborators, Shara Worden of My Brightest Diamond and Kim and Kelley Deal, twin sisters from The Breeders.

Check out great photos and info about the performance at Brooklyn Vegan.

In C Remixed

incremixed

If you’re lucky enough to be in New York City next Sunday, don’t miss out on an amazing opportunity to witness a live performance of one of the 20th Century’s defining pieces of music, Terry Riley‘s In C.

The Grand Valley State University New Music Ensemble is bringing its version of In C to the stage at (Le) Poisson Rouge on Nov. 8 to celebrate the release of its fantastic new recording, In C Remixed.

The GVSU ensemble obviously can’t reproduce the album — which features the recording of the title piece and 18 remixes by some of today’s best sonic manipulators — in a concert setting. But the show will feature live remixing by composer and sound designer Dennis DeSantis (one of the album’s remixers), videos by album remixer R. Luke DuBois, and an opening set by the Slow Boys (comprising digital violin genius Todd Reynolds and bass clarinetist and composer Michael Lowenstern, who also contributed remixes).

terry_riley

Terry Riley

This is a show that requires homework, albeit very pleasant homework. Here’s your assignment:

Before the show — best to do it now — download In C Remixed from your favorite digital music source. (It’s available now at Amazon.com and on iTunes. If you want a physical CD, you’ll have to wait until Nov. 17.)

Continue reading

A stairway to purgatory

The dancers of [purtgatorio] POPOPERA in dress rehearsal at the Joyce Theater. (AFP photo)

Vocalist Michaela Riener, center, and two dancers in a dress rehearsal at the Joyce Theater. (AFP photo)

I couldn’t help but think of Led Zeppelin as the score Michael Gordon wrote for Emio Greco | PC‘s dance piece [purgatorio] POPOPERA unspooled at the Joyce Theater last night. Michael, one of the three founders of the Bang on a Can new-music organization, is very much a product of rock and roll, and his compositions are heavily influenced by a rock aesthetic, in this case Zep.

Dance is not my favorite form of performance, but the prospect of hearing interesting and provocative music keeps drawing me into the dance theater. I’ve sat through many mystifying dances just to hear the music.

But [purgatorio] POPOPERA was a pleasant surprise. Emio Greco‘s choreography and the dancing were as inspired — and inspiring — as the music. That seems to stem from the fact that the work is a total collaboration between the visual and the aural, as Michael uses the dancers as the band, making them play the score on electric guitars while dancing. Continue reading

In C Remixed web site launches

Grand Valley State University New Music Ensemble at (Le) Poisson Rouge in NYC.

Grand Valley State University New Music Ensemble at (Le) Poisson Rouge in NYC.

The Grand Valley State University New Music Ensemble — the group that made the splendid recording of Steve Reich‘s Music for 18 Musicians in 2007 — is at it again. This time the group has commissioned a bunch of artists to record, remix and reinvent Terry Riley‘s seminal work, In C.

You can get a taste of what they’re up to by checking out the project’s web site, which  was launched today.

In this project, a slew of invited artists took  GVSUNME’s recording of In C and remixed it to create their own version. The only rule was to produce a 4- to 8-minute track. Contributors include: Jad Abumrad, Masonic (Mason Bates), Jack Dangers, Dennis DeSantis, R. Luke DuBois, Mikael Karlsson/Rob Stephenson, Zoë Keating, Phil Kline, Kleerup, Glenn Kotche, David Lang, Michael Lowenstern, DJ Spooky That Subliminal Kid, Nico Muhly, Todd Reynolds, and Daniel Bernard Roumain (DBR).

Their versions  are being assembled into a album, In C Remixed, due out digitally on Oct. 27 and on CD on Nov. 17. It’s available for preorder here. The ensemble is also performing the reinventions live, and will bring the show to NYC’s (Le) Poisson Rouge on Sunday evening, Nov. 8. $15.

Erik Friedlander brings his show back home

Erik Friedlander performs at The Stone in NYC this Spring

Erik Friedlander performs at The Stone in NYC this Spring

Cellist Erik Friedlander is bringing his multimedia show  Block Ice and Propane back home to Rockland County, N.Y., this Sunday when he performs at the Rockland Center for the Arts (RoCA).

Block Ice is a cycle of compositions based on the road trips that New City native Erik’s family took every summer in a camper atop a 1966 Chevrolet pickup truck. Erik couples his music with images to give the audience a chance to share his childhood experiences. While Erik plays, the audience will see projections of photos taken famous father, photographer Lee Friedlander, who still lives in Rockland. If it weren’t for Lee’s work, Erik might never have taken the summertime road trips that inspired Block Ice.

If you don’t know Erik’s work, come knowing that this won’t be a conventional, classical concert. Erik is one of the world’s premier experimental cello players. He coaxes an amazing array of sounds from his cello. He takes what he likes from classical, jazz and pop, unfettered by conventional rules. And he’s not shy about working with other musicians in all genres, either. He’s collaborated with artists as varied as performance artist Laurie Anderson and indie rockers The Mountain Goats.

Erik is keeping his RoCA show intimate to fit the space, but it’s worth noting that he has created another, larger-scale version of Block Ice with Bill Morrison, an experimental filmmaker. The full-blown version, designed for bigger venues, couples Lee’s images with Bill’s new videos of some of the places the Friedlander family traveled.  He’ll be performing this version in December at the Wexner Art Center in Columbus, Ohio, and the Walker Arts Center in Minneapolis. (See WYMMWIG‘s previous post about Erik.)

In the RoCA show, Erik tells WYMMWIG:

“I will have more freedom to pick from my repertoire to perform pieces I don’t get a chance to play in the usual ‘Taking Trips To America’ show. Things like Carlos Santana’s Golden Dawn, Eric Dolphy’s Serene and Arthur Blythe’s Lower Nile are all tunes I love to play and haven’t had a chance recently.”

“Also there’s all the [John] Zorn Volac, Masada Book II music that is also in play. So, though there aren’t any films, there will be images from the family trips and a whole lot of cool music I look forward to playing.”

Erik Friedlander performs at 2 pm on Sunday, Oct. 4, at Rockland Center for the Arts, 27 South Greenbush Road, West Nyack, N.Y. More information is available here. Call (845) 358-0877 for tickets. $20/$15 for RoCA members.