Daily Archives: January 22, 2012

Stew just can’t shed his Negro Problem

Stew in his breakup show, "Making It," at St. Ann's Warehouse in February 2010. (Copyright 2010, Steven P. Marsh)

Three shows at Joe’s Pub mark Tuesday’s release of Stew & The Negro Problem’s new album, Making It

The cover of Making It features a photo by Stew's daughter, Bibi.

First of all, let’s say “welcome black” to Stew & The Negro Problem.

It’s been 10 long years since Stew (born Mark Stewart in 1961) and his band The Negro Problem made a proper, official album: 2002’s Welcome Black. But on Tuesday, Jan. 24, the wait is officially over when Making It gets its official release.

Thank goodness. It’s long overdue. But you’ll surely find it worth the wait.

It’s a crazy, creative look at the breakup of Stew’s relationship with his longtime girlfriend and musical collaborator Heidi Rodewald. The breakup came in the run-up to the pair’s amazing theater project,  Passing Strange, which briefly thumbed its nose at the Broadway establishment from the Belasco Theatre over six months in 2008. (It also lives on in a Spike Lee film of the show’s final performances.)

Heidi Rodewald and Stew. (Copyright 2009, Steven P. Marsh)

Stew and Heidi managed to survive the breakup and continue their artistic relationship, albeit not without some problems. This album documents the breakup, and in some ways, the promise of their continued collaboration.

This is Stew’s fourth album under the rather provocative name of The Negro Problem, though on  this release on TNP records, the band is billed as “Stew & The Negro Problem.” And even though Stew seemed to abandon the band name in favor of his own moniker, Stew and Heidi haven’t released a rock album since 2003’s Something Deeper Than These Changes, billed simply to Stew. (Yes, there was a Passing Strange soundtrack in 2008, but that wasn’t a Stew record, let alone a Negro Problem record!)

Let’s just say it’s about time! It’s always seemed to me that Stew needs The Negro Problem to fuel his angry-not-as-young-as-he-used-to-be-man persona. (Truth be told, he’s used The Negro Problem name occasionally in recent years, but this seems to be a definitive return home.) Continue reading