An insider’s view of The Feelies

Glenn Mercer and Stanley Demeski.

Glenn Mercer and Stanley Demeski.

Katie Demeski

Katie Demeski

Katie Demeski, daughter of The Feelies drummer Stan Demeski, has come through as I hoped with a fastastic post on her blog about The Feelies’ Fourth of July Weekend shows at Maxwell’s. I’ll let her tell the story and try to get out of the way. Go, Katie:

So the Feelies shows came and went and, again, they were amazing. On the first night, three of my friends came. One of them, Matt, was even at the sound check. The sound check itself ran a little late, but in the first hour or so, Glenn started playing “Billie Jean”. Then Dave started singing in falsetto and playing his snare to the beat. It was absolutely hilarious and kind of made my day.

Anyway, so we ate at Maxwell’s and my other friends, Dan and Liebold arrived. It was pretty packed that night, but we were able to get pretty good spots. As for the actual show, this year the Feelies started things out with some more mellow songs like “When Company Comes,” and a cover of “Sunday Morning.” New additions to the lineup included “Egyptian Reggae”, “Moscow Nights”, “Everybody’s Got Something to Hide Except for Me and My Monkey,” and “Invitation” (although, as mentioned in a previous entry, they added that song on New Year’s Eve). There was even one new song, “Bluer Skies” on which Brenda’s husband, Rich Barnes of Wild Carnation, even played keyboard on it while sitting on the little crate that is used as a step to get to the stage at Maxwell’s.

Friday night I went to the sound check with my dad because my mom and my brother were going to take the train after my mom got out of work. Anyway, Dave again started singing Michael Jackson when Andy the sound man told him he could sing into his mic if he wanted. So he sang “Thriller” and I felt the need to text Matt and inform him about it. I just chilled at Maxwell’s for most of the afternoon, reading Under the Banner of Heaven by John Krakauer. The show was pretty much the same as the day before, except I was standing next to a particularly obnoxious tall drunk man who got more and more drunk as the night progressed. Regardless it was fun.

On the Fourth of July, I took the train to Hoboken with my mom and brother and it was pretty damn crowded especially for the Hawthorne train station. My dad had asked me earlier in the week if I would help Bill’s nephew, Ben, film for his Feelies concert movie. Ben and his friend (Nick, I think?) had attatched a camera holder-thing to a pole and I was instructed to put the end of the pole in my pocket and film from a little farther away than I had been standing, using the screen on the camera to keep track of the shot. Ben also had all of the Feelies go into the dressing room alone and he filmed each of them for five minutes, not asking them any questions or anything. When Bill came out he said, “I feel violated.”

Thanks, Katie. You are awesome. Click here to read the rest of Katie’s entry.

Two Guys and some classic rock songs

TWOGUYS

Dennis Diken

Dennis Diken

Ed Alstrom

Ed Alstrom

Whether you favor E.J. Korvettes or Two Guys — and even if you’re too young to know what those names once meant on the landscape of mass retailing — tonight is going to belong to Two Guys.

“Itinerant musician” Ed Alstrom and Smithereens drummer Dennis Diken have reached way back into the history of mass retailing for the name of their duo act — one of many in which these super hard-working players are involved.

I apologize for the late notice, but Dennis (on drums and vocals) and Ed (on piano and vocals) are bringing their good-time sound to the Smith Brothers Dining Saloon in Ridgewood, N.J., tonight.

Dennis Diken on drums.

Dennis Diken on drums.

Two Guys focuses on classic pop and rock. As Dennis explains it, “recent repertoire has featured plenty of Jive 5, most of the Beatles ‘Something New’ album, ‘Cast Your Fate To The Wind,’ Everly Bros., Gary Lewis & The Playboys, and Gene Pitney, of course.”

So you can count on hearing sounds like that, but, knowing Dennis, I’m sure there will be surprises. All in all, it will surely be an entertaining way to spend a Wednesday evening.

Two Guys perform tonight at 8 o’clock. Smith Brothers Dining Saloon, 51 N Broad St., Ridgewood, NJ 07450 (201) 444-8111. No cover.

The Feelies on the Fourth

Glenn Mercer, Stanley Demeski and Bill Million of The Feelies at Maxwell's on July 4, 2009. (Copyright 2009, Steven P. Marsh)

Glenn Mercer, Stanley Demeski and Bill Million of The Feelies at Maxwell's on July 4, 2009. (Copyright 2009, Steven P. Marsh)

It would be easy to get used to making a tradition out of celebrating the Fourth of July with The Feelies.

Although their long-awaited comeback started at Maxwell’s in Hoboken

Bill Million and bassist Brenda Sauter.

Bill Million and bassist Brenda Sauter.

on June 30-July 2,  2008 (and those shows thrilled me) , they announced their return in a big way  two days later, opening for Sonic Youth in NYC’s Battery Park on the Fourth of July. The sun, sweat, humidity and the huge crowd just made the experience more intense. The band did not disappoint.

Percussionist Dave Weckerman seems content to stay in the background.

Percussionist Dave Weckerman seems content to stay in the background.

As you’ve probably read here earlier, The Feelies took over Maxwell’s for three nights this month, from July 2-4.

On that last night, thousands crammed the streets and waterfront of Hoboken to see the Macy’s fireworks, while dozens of true believers ignored the holiday hoopla and chose to watch the guitar pyrotechnics of Glenn Mercer and Bill Million instead.

I didn’t mind missing the fireworks outside, not at all.

Glenn Mercer

Glenn Mercer

The Feelies are a band that doesn’t offer too many surprises. Their shows are like your favorite jeans, well-worn, broken in  and perfectly comfortable. They feel good — and just right. They don’t throw many curve balls — even the multiple covers they did as encores over the three nights had little variation from night to night. But none of that matters to a true Feelies fan. In fact, curve balls might ruin the equilibrium.

At the July 4 show, I was positioned very close to the stage. That made for clearer shots of individual band members or pairings of players, but didn’t give me a chance to shoot an overview. So this will give you a very different perspective than the previous night’s shots.

Rich Barnes of Wild Carnation (and Brenda's husband) helped out on keyboard.

Rich Barnes of Wild Carnation (and Brenda's husband) helped out on keyboard.

My position made it tough to spot local heroes in the audience. But at the end of the night, I spotted Georgia Hubley and Ira Kaplan of Yo La Tengo returning to the music room as the majority of the crowd was filing out. You can always count on them being at a Feelies show. The only other face I wish had been in the crowd was filmmaker Jonathan Demme, who featured The Feelies as “The Willies” in his 1986 movie Something Wild. I guess that was his payback for making  Stop Making Sense two years earlier about the Talking Heads instead of The Feelies!

Bunny in the back yard

Our bunny.

Our bunny.

Okay, this post has nothing to do with music. And it doesn’t have anything very obvious to do with theater or the arts. But this little brown bunny in our backyard has captured our attention like a reality show.

Where’s its mate or its parents? No idea.

Where does it hide out when it’s not hopping — or dashing like, well, a bunny out of hell — around the yard, nibbling on broadleaf weeds? Somewhere in the old stone retaining wall.

Tonight the bunny was in the driveway, just a few inches from the grass, but on the macadam in front of the garage. I drove in and it — he? she? — took off in a puff of fluffy white tail.

Friday night with The Feelies

Glenn Mercer rips into a Feelies song at Maxwell's on Friday, July 3, with percussionist Dave Weckerman keeping the beat. (Copyright 2009, Steven P. Marsh)

Glenn Mercer rips into a Feelies song at Maxwell's on Friday, July 3, with percussionist Dave Weckerman keeping the beat. (Copyright 2009, Steven P. Marsh)

The Feelies were unbelievably tight at Maxwell’s in Hoboken, N.J., last night. They started almost on the dot of 9:30 (so if you’re going tonight, don’t be late or you’ll get stuck in the back of the room)  and played two solid sets, plus FOUR encores.

Since they reunited last year, the New Jersey quintet has gotten better and better, to the point that they as confident and assured as they did in their heyday. What an amazing night!

I was a little to far back to get many good shots, but here are some for those who couldn’t make it. I’ll get there earlier tonight and come back with better-quality images for tomorrow’s post.

P.S. Stanley Demeski’s daughter is a blogger. She wrote this about last year’s reunion show. I hope she writes about this years!

Sold out: Maxwell's music room was packed.

Sold out: Maxwell's music room was packed.

Glenn Mercer and Bill Million attack their guitars.

Glenn Mercer and Bill Million attack their guitars.

Brenda Sauter: Chill angel on the bass.

Brenda Sauter: Chill angel on the bass.

Freedy Johnston checking out The Feelies on Friday.

Freedy Johnston checking out The Feelies on Friday.

If it’s a national holiday, it must be time for The Feelies

The Feelies spent last Fourth of July in Battery Park in NYC, opening for Sonic Youth. That's Yo La Tengo's Ira Kaplan in the lower right corner, just to the right of North Jersey singer-songwriter Ed Seifert in the white T-Shirt. (Copyright 2008, Steven P. Marsh)

The Feelies spent last Fourth of July in Battery Park in NYC, opening for Sonic Youth. That's Yo La Tengo's Ira Kaplan in the lower right corner, just to the right of North Jersey singer-songwriter Ed Seifert in the white T-Shirt. (Copyright 2008, Steven P. Marsh)

The legend is that The Feelies only played on national holidays. While that’s not quite true — the reunited band has been playing more often than just holidays, even doing an acoustic show at The Whitney Museum last week — the band does like its holiday shows.

The Feelies' Glenn Mercer and Dave Weckerman talk to a fan in Battery Park.

The Feelies' Glenn Mercer and Dave Weckerman talk to a fan in Battery Park.

This year is no exception. The Feelies start at three-night celebration of the Fourth of July at Maxwell’s at 8:30 tonight, followed by 9:30 shows tomorrow and Saturday. They’re promising two sets each night, so it should be a good party.

Tickets are still available here, and presumably at the door for tonight’s show. Friday and Saturday appear to be sold out, but there’s always a chance of an extra ticket at the door.

Maxwell’s is at 1039 Washington St., Hoboken, NJ 07030. (201) 653-1703.

The Feelies open for Yo La Tengo at the Wellmont Theater in Montclair, N.J., on New Year's Eve 2008.

The Feelies open for Yo La Tengo at the Wellmont Theater in Montclair, N.J., on New Year's Eve 2008.

Fountains of Wayne at Maxwell’s

FOW Chris at mic

Chris Collingwood is the voice of Fountains of Wayne at Maxwell's in Hoboken, N.J., on Monday, June 29.

When you see the legend “Fountains of Wayne (Acoustic)” on your ticket, it means you get the same show from the amazing popsmiths that you’d get in a big hall, but with the band’s two guitarists playing acoustic (albeit amplified), guitars. Everything else is just as electrified as it would be in an “electric” show

The band, named for a now-defunct North Jersey lawn ornament shop, favored the sold out crowd at Maxwell’s with most of their favorites (they did Radiation Vibe but omitted Sink to the Bottom) and a few really good new songs.

Near the end of the set, they launched into a medley of Seventies songs, kicking off with a Michael Jackson tribute of sorts as Adam Schlesinger launched into the insistent bass line of Beat It. That segued into Yes’ Roundabout (with Chris Collingwood playing a mean guitar line), and thence into Kansas’ Carry On Wayward Son, followed by Led Zeppelin’s Stairway to Heaven and wrapping up with Steve Miller’s Jet Airliner.

FOW Adam Hedshot

Adam Schlesinger played bass and keyboards.

FOW Chris and Jody

FOW's Chris Collingwood and the ever versatile Jody Porteron bass.

FOW Opener

Mike Viola and Kelly Jones opened the show.

Beacon of hope!

There's something very hopeful about a rainbow. This one appeared over 9th Street in Park Slope, Brooklyn, after a sunshower last Saturday. It stopped people in their tracks.

There's something very hopeful about a rainbow. This one appeared over 9th Street in Park Slope, Brooklyn, after a sunshower last Saturday. It stopped people in their tracks.

Michael, we’ll miss you!

Michael Jackson performing "Billie Jean" in 2001.

Michael Jackson performing "Billie Jean" in 2001.

Michael Jackson was an amazing artist whose songs were often unbelievably awesome when he performed them, and were equally good when covered by all sorts of other artists. We have lost the artist, but his artistry and influence will endure.

Belle & Sebastian

Belle & Sebastian

Somehow, Belle & Sebastian’s version of Billie Jean comes to mind as a good example. I’ll leave you with that as my tribute to Michael. (Thanks to TheMusicSlut.com for posting.)

Belle & Sebastian — Billie Jean

Signal rocks Reich

Composer Steve Reich and conductor Brad Lubman take their bows. (Copyright 2009, Steven P. Marsh)

Composer Steve Reich and conductor Brad Lubman take their bows. (Copyright 2009, Steven P. Marsh)

Signal, one of the nation’s premiere New Music ensembles, celebrated composer Steve Reich‘s 2009 Pulitzer Prize for Music on Monday night with a special performance of Double Sextet, the composition for which he won.

Signal managed to sell out (Le) Poisson Rouge on Bleecker Street in Manhattan’s Greenwich Village so quickly that a late show was added, and that one appeared to be nearly sold out by the time it started.

The show opened with a rendition of Reich’s Sextet, an older piece. The crowd at the late show seemed to appreciate the performance by just six of Signal’s talented members, but most were really there to hear Double Sextet, which before Monday had performed only once in NYC, at Carnegie Hall by eighth blackbird, the Chicago-based ensemble that commissioned the work.Steve Signal performing

While the premiere performances featured six musicians playing against a tape of themselves playing the second sextet parts, Signal chose to play both sextets live, with 12 musicians onstage — two sextets consisting of flute, clarinet, violin, cello, vibraphone and piano. (Steve intended the piece to be played either way.)

I enjoyed eighth blackbird’s NYC premiere of the piece last year, but Signal’s rendition brought out nuances and beauty in the piece that I missed the first time. Steve plays with dynamics and tempos in the piece, and even seems to dip into a bit of phasing, a technique that he frequently employed earlier in his career in which identical lines fall out of sync with one another, creating a kind of counterpoint.

Six of Signal's musicians performed Sextet, the 1985 predecessor to Reich's Pulitzer-winning composition.

Six of Signal's musicians performed Sextet, the 1985 predecessor to Reich's Pulitzer-winning composition.

It was a revelatory performance by an amazingly skillful ensemble, led by conductor Brad Lubman. Steve clearly gave his imprimatur to the performances, attending both shows and taking an emotional bow at the conclusion of it.