Tag Archives: Maxwell’s

Update: Rodeo Bar announces shutdown

Rodeo Bar is ending its policy of free live music at the end of July.

New York’s Longest-Running Honky-Tonk to shut down at the end of July; The Eugene Chrysler Band to play the venue’s final show

UPDATE: Around 11:45 a.m. Thursday, just hours after Will You Miss Me When I’m Gone? posted an item confirming that Manhattan’s Rodeo Bar was no longer booking bands, the bar posted a notice on Facebook  that it’s shutting down altogether  after July 27. This is the full post:

Dear Rodeo Bar patrons and music lovers,

We are deeply saddened to announce that after 27 years in business, Rodeo Bar and Grill is closing its doors after July 27, 2014.

Here at New York’s longest-running honky-tonk, we stayed open during some of the city’s toughest times — Hurricane Sandy, the 2003 blackout, 9/11 — but recent rent increases, combined with a changing landscape, have made it impossible for us continue.

For the past three decades, Rodeo Bar has been home to thousands of bands, and we’re proud to have helped define the country, Americana and rockabilly scene in New York City for all these years. But more than that, we were supported by an incredible community of people from New York and all over the world who helped make this bar great. We can’t thank y’all enough.

For the rest of July, we’re open every night, and the music schedule is killer — and free, as it always has been. So come on down and join us for every show, every Shiner, and every moment with the horse trailer we call home. We’re going out with our boots on.

Much Love, and Until the Buffalo Sings,

Rodeo Bar

The final show at the Rodeo has just been announced: The Eugene Chrysler Band at 10 p.m. on Saturday, July 26. The announcement promises free CDs and guest stars.

My original post appears after the jump.

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Yo La Tengo played The Bell House, a little late for Hanukkah

Yo La Tengo started with a quiet set in front of some tree props. (Photos © 2013, Steven P. Marsh/willyoumissme.com)

Yo La Tengo started with a quiet set in front of some tree props. (Photos © 2013, Steven P. Marsh/willyoumissme.com)

In apparent confirmation of the notion that its annual, eight-night Hanukkah concerts died along with Maxwell’s, the Hoboken music club, Yo La Tengo skipped performing during the Festival of Lights this year. But the Hoboken-based band did manage to pull together a four-night, end-of-year run at The Bell House in Brooklyn over the weekend.

(Photos © 2013, Steven P. Marsh/willyoumissme.com)

Never forget your roots.

Sunday night’s show was all YLT, all the time. It didn’t have the special attraction of guest artists and comedians opening for and playing with YLT’s Georgia Hubley, Ira Kaplan and James McNew. But it was a splendid way to wrap up the year anyway.

On Sunday, YLT opened with a set of quiet versions of songs, largely from this year’s album, “Fade.” For the second set, they cut loose, rocking out on a huge set of songs.

(Photo © 2013, Steven P. Marsh/willyoumissme.com)

Joe Puleo on Farfisa.

Oh, and I’m slightly wrong about the “no guest artists” thing. The band’s longtime tour manager and man-about-town Joe Puleo joined them on Farfisa for one number. I guess that counts.

(Photo © 2013, Steven P. Marsh/willyoumissme.com)

A huge tech and front-of-house sound area kept things running smoothly and quickly.

Enjoy more photos after the jump.

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The Walking Dead? Maxwell’s planning to reopen in Hoboken

Preparing for the wake at Maxwell's on July 31, 11th Street next to the club was blocked off. (Photo © 2013, Steven P. Marsh)

Preparing for the “wake” at Maxwell’s on July 31, 11th Street next to the club was blocked off. (Photo © 2013, Steven P. Marsh)

Something feels wrong — no, make that preposterous — about the idea of saying farewell to an old friend at a raucous wake only to see that friend return to the land of the living a matter of weeks later.

But that’s just what seems to be happening at Maxwell’s, the much-loved bar-restaurant-music venue in Hoboken, N.J.

Erica Seitzman/Facebook

(Erica Seitzman/Facebook)

The place has seen limited action — as a rain venue for a concert and a one-shot studio for a Justin Timberlake concert-cum-Target-commercial.

But over the Labor Day weekend, some eagle-eyed Hobokenites spotted “Help Wanted” posters seeking staff of the restaurant-bar.

I don’t think I’m alone in feeling like I’m in the middle of an episode of “The Walking Dead,” which, if nothing else, has taught us that while the Walkers look like those we knew and loved, they’re not who they appear to be.

Maxwell's founder Steve Fallon, left, and booker/co-owner Todd Abramson at Maxwell's "wake." (Photo © 2013, Steven P. Marsh)

Maxwell’s founder Steve Fallon, left, and booker/co-owner Todd Abramson at Maxwell’s “wake.” (Photo © 2013, Steven P. Marsh)

After 35 years, Maxwell’s closed on July 31 with a block party outside and a long evening of shows — punctuated by plenty of reminiscences and a few tears — inside the music room. The end came after Todd Abramson, co-owner, music booker and public face of the club, decided he’d had enough of the problems that come running such a business in the uber-gentrified Mile Square City.

Justin Timberlake's Maxwell's tweet.

Justin Timberlake’s Maxwell’s tweet.

On Aug. 8 — barely a week after the shutdown — the lights were back on and the restaurant was pressed into service to host a show by Swingadelic, originally scheduled for nearby Frank Sinatra Park. It was part of Hoboken Administrator of Cultural Affairs Geri Fallo‘s backup plan, the Cliffview Pilot reported, to avoid a rain-out.

It all made sense. First, Swingadelic’s founder is bassist Dave Post, who also happens to be a co-owner of Maxwell’s. Second, despite the extensive partying there in the club’s final days, the place apparently was left with a decent amount of quaffables to keep the bar stocked.

Then along came Timberlake, a musician who I’m guessing never set foot in Maxwell’s while it was in business.

Hundreds of fans lined up and then flooded the streets around Maxwell's in Hoboken where Justin Timberlake is filming a commercial for Target. Wednesday, Aug. 28, 2013. -- Joe Shine/For The Jersey Journal

Hundreds of fans lined up and then flooded the streets around Maxwell’s in Hoboken where Justin Timberlake is filming a commercial for Target. Wednesday, Aug. 28, 2013. — Joe Shine/For The Jersey Journal

His crew took over the empty club for a one night fan concert (well, a one-SONG appearance for a Target commercial) in the still-equipped music room. Thousands crowded the streets outside the shuttered club, The Jersey Journal reported. Fans weighed in effusively on Facebook and Twitter, often with disparaging comments.

Timberlake drew some particularly amusing snarkiness on Twitter from Yo La Tengo, a band that got its start in Hoboken and is indelibly linked to the club.

YLT Tweets

And now, there’s the reopening. Yes, Maxwell’s is hiring staff to reopen the bar and restaurant, but, apparently, not the music room.

Post tells Tris McCall of The Star-Ledger that Maxwell’s will reopen as a bar and restaurant only, staying in operation until the place sells. (The business and a 10-year lease can be yours for just $625,000.) He said he wasn’t sure when he’d be reopening.”Hopefully, it won’t take too long to make a sale,” Post told McCall. “But even if I sold Maxwell’s tomorrow, it would take 90 days for the license to transfer.”

The Star-Ledger reports that Abramson — who was a constant presence in the restaurant, seating diners, delivering orders and overseeing proceedings — is not involved in the reopening.

 

A foretaste of New Jersey rock without Maxwell’s: Speed the Plough, East of Venus play Mexicali Live

Speed the Plough performs at Mexicali Live in Teaneck, N.J. on July 18, 2013. (Photo © 2013, Steven P. Marsh)

Speed the Plough performs at Mexicali Live in Teaneck, N.J. on July 18, 2013. (Photo © 2013, Steven P. Marsh)

We know what it’s going to be like without Maxwell’s. We learned it pretty clearly at Mexcali Live in Teaneck, N.J., on Thursday, July 18.

Speed the Plough, a very Maxwell’s-identified band, ripped through an excellent headlining set after warmups by Lianne Smith and East of Venus.

Toni (Paruta) Baumgartner and Cindi Merklee of Speed the Plough.  (Photo © 2013, Steven P. Marsh)

Toni (Paruta) Baumgartner and Cindi Merklee of Speed the Plough. (Photo © 2013, Steven P. Marsh)

Nobody in the audience crowded the edge of the stage, which is tradition at Maxwell’s. Not there’s anything wrong with that. It just seemed a little alien. But you had the distinct feeling that if you tried to stand in front of the stage, you’d be shouted away by the audience or escorted away by management. So it seemed better to keep a bit of distance.

Only one person in the crowd stood near the front of a rather cavernous room filled with tables, chairs and stools — and he was far, far from his usual front-and-center spot.

Never mind that the sound at Mexicali is crisp and the raised stage provides sight lines that are, to say the least, more audience-friendly than Maxwell’s. Continue reading

Mission of Burma shows added in Maxwell’s final days

Mission of Burma at The Bell House in Gowanus, Brooklyn. (Photo © 2011, Steven P. Marsh)

Mission of Burma at The Bell House in Gowanus, Brooklyn. (Photo © 2011, Steven P. Marsh)

UPDATE: second, Early show added; ticket links on the jump

Seminal Boston post-punk band Mission of Burma is a late addition to the schedule of shows during the final days of Maxwell’s in Hoboken.

MoB, which comprises founding members Roger Miller, Clint Conley and Peter Prescott, plus Bob Weston who long ago replaced original tape manipulator/sound engineer Martin Swope, has been added in two time slots — 6 p.m. and 9 p.m. — on Sunday, July 28, just days before the club’s last show on July 31.

20130719-123546.jpgWhile bands from Sonic Youth to R.E.M. have cited Mission of Burma as an influence, the band’s strongest Maxwell’s connection is with Yo La Tengo. But don’t expect to see YLT’s Ira Kaplan, Georgia Hubley or James McNew in the crowd or onstage for this one. YLT is playing the Fuji Rock Festival in Niigata Prefecture, Japan, that day.

With a little luck, they’ll be back to New Jersey in time to take part in Maxwell’s closing ceremonies.

Tickets for the 6 p.m. early show (doors at 5 p.m.) are $25 and available by clicking or tapping here. (http://ticketf.ly/18vaHSl)

Tickets for the 9 p.m. late show (doors at 8 p.m.), also $25, are available by clicking or tapping here. (http://ticketf.ly/12P2zYl)

Sam Phillips leaves them wanting more

Sam Phillips

Sam Phillips

We’ve all heard the expression “always leave them wanting more” many times.

Whether in the context of showbiz or romance, the quote — attributed, with a great degree of uncertainty, to Walt Disney and P.T. Barnum — always seems applicable.

Sam Phillips' Push Any Button

Sam Phillips’ Push Any Button

Singer-songwriter Sam Phillips (the sexy former “Christian Cyndi Lauper” formerly known as Leslie Phillips) must have taken that to heart when she cut her new, self-released album, Push Any Button.

It clocks in at a splendidly listenable 29 minutes, with 10 tracks. And it definitely leaves them wanting more.

Her resolved wavered, though, after she finished the album.

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Maxwell’s adds Bern & The Brights, Val Emmich to final schedule

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Bern and The Brights and Val Emmich are the latest acts to join the schedule in Maxwell’s final days.

They’re playing Monday, July 29.

Bern & The Brights is a Montclair-based nerd-rock trio made up of Bernadette Malavarca, Catherine McGowan and Shawn Fafara. It’s a independent band that Tris McCall of The Star-Ledger recently called “the sort of act that is likely to be hurt by the closing” of Maxwell’s.

You may know Emmich best from his acting on “30 Rock” or “Ugly Betty.” But he’s also a Manalapan, N.J., native who has had an extensive career as a singer-songwriter.

For more information about the acts, click or tap here (http://ticketf.ly/12LqzXz).

Click or tap here (http://ticketf.ly/1bpawrN) for tickets. which are $10. Door time is 8 p.m., with the music scheduled to start at 8:30.

Speed the Plough joins Bar/None’s July 24 farewell to Maxwell’s

Speed the Plough at Maxwell's on Oct. 20, 2012. (Photo © 2012, Steven P. Marsh)

Speed the Plough at Maxwell’s on Oct. 20, 2012. (Photo © 2012, Steven P. Marsh)

STP is part of a promised ‘cavalcade of mystery stars’ joining Headliners Freedy Johnston and Band, James Mastro’s Health & Happiness Show and Chris Stamey with Anton Fier and Gene Holder

Myrna and the Hangar Boys (Human Switchboard’s Myrna Marcarian, Jared Michael Nickerson, Dave Schramm and Ron Metz) join lineup

WFMU to broadcast live from the lounge

Even before Maxwell’s closing was announced, Speed the Plough was gearing up get active again. The band, which can trace its lineage back to The Feelies through The Trypes, became active in 2009 after a long hiatus, but has been picking up steam lately in anticipation of a new album — a compilation of some of its long-out-of-print music from the early days plus six brand-new tracks.

But now they’re preparing to say goodbye to the venerated Hoboken club with one last gig there, on Thursday, July 24, as part of a Bar/None record label lineup.

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Jon Langford and a Maxwell’s memory lapse

The Jon Langford Threesome, from left, at Maxwell's: Tony Maimone, Steve Goulding, Jon Langford. (Photo © 2013, Steven P. Marsh)

The Jon Langford Threesome, from left, at Maxwell’s: Tony Maimone, Steve Goulding, Jon Langford. (Photo © 2013, Steven P. Marsh)

Jon Langford looked truly puzzled on the stage of Maxwell’s.

The Jon Langford Threesome's set list at Maxwell's. (Photo © 2013, Steven P. Marsh)

The Jon Langford Threesome’s set list at Maxwell’s. (Photo © 2013, Steven P. Marsh)

The Welsh-born rocker has played at the Hoboken, N.J., club many times — “37 1/2… the half because tonight’s not done yet” — over the years in many bands, from the Mekons to the Three Johns.

On Tuesday, July 9, his show was billed as “Jon Langford’s Threesome feat. Tony Maimone and Steve Goulding performing Mekons, Waco Bros. and Jon Langford songs from throughout the centuries

“Did the Waco Brothers ever play here,” he asked, during a portion of the set where his cranked out several of that band’s best-loved tunes.

“Three times!” came the cry from the crowd.

The crowd gathers in the back room at Maxwell's for the Jon Langford Threesome. (Photo © 2013, Steven P. Marsh)

The crowd gathers in the back room at Maxwell’s for the Jon Langford Threesome. (Photo © 2013, Steven P. Marsh)

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Saying goodbye to Maxwell’s: Share your ideas for the final show

Patrons enter Maxwell's at 11th and Washington streets in Hoboken, N.J., on July 5, 2013, (Photo © 2013, Steven P. Marsh)

Patrons enter Maxwell’s at 11th and Washington streets in Hoboken, N.J., on July 5, 2013, (Photo © 2013, Steven P. Marsh)

We’ve been thinking a lot about closing night at Maxwell’s, the well-loved Hoboken, N.J., music club that hosts its last show on July 31.

There’s a selfish motive, in part, of course: How can WE get to be there. Surely with all the bands and fans that have passed through the Washington Street club over the last 35 years there will be far, far more people trying to get in than the small (capacity 200) venue can possibly hold. With closing a bit over three weeks away, Todd Abramson, the club’s booker and co-owner, is working on a plan.

Todd Abramson with the New York Post's Mary Huhn in Austin in 2003.

Todd Abramson with the New York Post’s Mary Huhn at South by Southwest in Austin, Texas, in 2003.

But, as he told us by phone this morning, “there’s no news here” just yet. He definitely has some ideas about ways to make it accessible to more people and to level the playing field for those who want to be there. But he says he still has a lot to work out.

What we know is that “a,” the first band to play Maxwell’s, is supposed to reunite for the farewell show. And The Bongos, the much better-known band that grew out of “a,” will also be on the bill. But after that, just about everything is pure speculation.

Since things are in flux, you have a chance to weigh in with ideas of your own.

How should the final show be handled? Should it run all day. Should it be free on a first-come, first-served basis, a normal Maxwell’s price ($15-$25 from TicketFly) or should it be premium priced, a la Neil Young at the Capitol Theatre in Port Chester, N.Y., where’s the best seats are tabbed at $285? (Then again, when speaking of Maxwell’s, there are no SEATS, really.)

What about timing? July 31 is a weekday. Should the show start at 9 and go all night? Or should it start in the early afternoon and go on and on?

Who else — band, solo artist, influential individual or fan — be a part of the show in some way?

Don’t just tell us who or what. Tell us why — make a case for your idea. There should be a good reason for every eulogy and every participant in the farewell proceedings.

The sky’s the limit. Share you ideas in the comments section. Get a conversation going. Have fun thinking of the wildest ways possible to pay tribute to Maxwell’s incredible legacy.

Meanwhile, The Bongos promise details of some sort about the show on their Facebook page soon. And keep an eye on Will You Miss Me When I’m Gone? We’ll be sure to let you know of any developments as soon as we can dig them up.