Category Archives: Review

Quite an event with Antony and the Johnsons

Antony Hegarty with his 60-piece orchestra on the Radio City Music Hall stage. (Photos © 2012, Steven P. Marsh)

What can we say about the wonderfully strange singer Antony Hegarty, who on Jan. 26 managed to transform Radio City Music Hall into his own special dreamscape?

Antony, who often performs with a band as Antony and the Johnsons, had some members of his band as part of a 60-piece orchestra for this light-and-music show dubbed Swanlights.  He attracted a sold-out crowd that included celebrities such as Tilda Swinton, Jenny Shimizu, Rufus Wainwright, Lady Bunny, Michael Stipe and many more.

Lady Bunny in the lobby of Radio City Music Hall.

(Check out The New York Times review of the show here.)

The show, commissioned by the Museum of Modern Art and originally designed for presentation in the museum’s atrium, reached so far that it was doomed to fall a bit short. But even so, the evening was stunning and engaging, as the transgender Antony, dressed in a simple, flowing gown, came out an sang a selection of his marvelous songs with lush accompaniment, a visually stunning set, and, for the most part, well-done lighting.

Last chance to see Stew & The Negro Problem in NYC

Stew, Heidi Rodewald and The Negro Problem at Joe’s Pub on Jan. 23, 2012. (Photo © 2012, Steven P. Marsh)

If you didn’t get to Joe’s Pub last night to see Stew &  The Negro Problem and grab a copy of the new album, Making It, all is not lost. 

They’ve got another CD-release show at Joe’s at 9:30 tonight (Tuesday, Jan. 24). Tickets, $30, are available here. Book now. If you miss it, you’ll be sorry.
 

Sam Amidon and friends at Rockwood Music Hall

Banjo and guitar onstage before Sam Amidon's set at Rockwood Music Hall.

The first clue that Sam Amidon wasn't really going to be performing banjo only at Rockwood Music Hall 2 on Wednesday. (Photos © 2011, Steven P. Marsh)

UPDATE: New photos added!

Don’t say we didn’t warn you!

As predicted, Sam Amidon‘s solo banjo show at Rockwood Music Hall on Wednesday night was neither solo nor banjo only. But we’re not complaining. The multitalented Amidon took to Rockwood’s Stage 2 along with a banjo, guitar, fiddle, baby grand piano and a handful of mics.

Sam Amidon at Rockwood Music Hall.

He treated the solid crowd to about 70 minutes of his lovely, mournful folksongs. Just a few numbers into his set, Sam was joined by longtime collaborator Thomas Bartlett, the pianist and singer better known as Doveman.

Then, maybe 15 or 20 minutes into the show, Sam started looking for another guest. “Paul, do you think Beth went to the wrong Rockwood? I told her 2, but I didn’t tell her there was 2.” The man he addressed as Paul got up from his stageside table briefly and came back with the lady in question — Beth Orton, his collaborator of the last year or two and, by appearances, his partner in life. (Sam’s loving looks toward Beth and the tiny baby she carried with her were hard to interpret as anything other than paternal!)

It didn’t take long for Sam to drag Beth onstage with him for a couple of numbers, too.

Sam Amidon and Beth Orton at Rockwood Music Hall.

While this show broke no new ground, it was a great, thoughtful way to move toward the end of 2011. Thanks, Sam, Thomas and Beth!

Condola Rashad: Stick Fly’s not-so-secret weapon

Producer Alicia Keys to appear at post-show talkbacks this week

Condola Rashad outside the Cort Theatre. (Photo © 2011, Steven P. Marsh)

When Will You Miss Me When I’m Gone? saw a preview performance of Stick Fly on Broadway, we had a great time. The show is flawed, never quite making a clear point while keeping the audience entertained.

But we decided to check out Lydia R. Diamond‘s play (being promoted far and wide in the name of Alicia Keys, one of the producers of the comedic family drama with a twist) even before we knew what the show was about. That’s because we we were blown away by the actor with a below-the-title billing who absolutely steals the show: Condola Rashad.

Keys will be attending the show and conducting “an intimate post-show conversation” on Monday, Dec. 19 and Thursday, Dec. 22.

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Thanks a lot, Chris Isaak

Bimbo's 365 Club (© 2011, Steven P. Marsh)

Bimbo's 365 Club (© 2011, Steven P. Marsh)

Will You Miss Me When I’m Gone? made a pilgrimage to the West Coast a couple of weeks ago. And this time, we were determined to hit a San Francisco music club we’d missed previously. It’s the supper club and music venue with the potentially provocative name: Bimbo’s 365 Club.

OK, we admit we weren’t put off by the name — it’s what Tuscan immigrant Agostino Giuntoli’s boss at a San Francisco restaurant called him because he couldn’t pronounce the kid’s name. (“Bimbo,” pronounced beem-bo, is Italian for boy.)  Giuntoli was a smart guy, who apparently didn’t have any problem with the nickname. And it turned out to be a much catchier name for the nightclub he opened with Monk Young, his name-challenged s former boss, now his partner, in 1931.

We really didn’t know much about the place until the advent of singer Chris Isaak‘s Showtime network sitcom, The Chris Isaak Show. If you don’t remember the show, it ran from 2001-2004 and pretty much purported to be a fly-on-the-wall look at Isaak’s life in San Francisco — although the show was actually shot in Vancouver. One of the show’s most endearing and curious features was Isaak’s regular pilgrimage to Bimbo’s basement to visit Mona, who in the show played the club’s mermaid Dolphina, for advice about his love life.

The mermaid — created through projections, not real women in tanks of water — was and still is a feature of the real Bimbo’s. Mona (actress BobbyJo Moore) appeared nude on a turntable in the basement. Her image was projected into a “tank” in the club’s lounge.

We needed to see Bimbo’s and check out the mermaid. And luckily, it turned out that Laura Marling was performing there while we were in town. (Don’t be misled by the “365″ in the club’s name. It comes from the club’s former address at 365 Market St. and doesn’t refer to being open every night of the year.)

Laura Marling at Bimbo's 365 Club. (Photo © 2011, Steven P. Marsh)

Laura Marling and her band at Bimbo's 365 Club. (Photo © 2011, Steven P. Marsh)

It was great fun. Laura Marling was awesome, delivering a confident, rocking set. And her opener, Alessi’s Ark, a singer-songwriter with one backup player, did a surprisingly lovely performance.

Alessi's Ark at Bimbo's 365 Club. (Photo © 2011, Steven P. Marsh)

Alessi's Ark at Bimbo's 365 Club. (Photo © 2011, Steven P. Marsh)

But we couldn’t find any sign of the “real” Dolphina. Sure, there was a statue in the swanky lobby. But we couldn’t even immediately figure out where the mermaid tank was based.

Before the evening was over, we finally — and to our slight disappointment — discovered that Dolphina appears only occasionally at Bimbo’s, projected into a faux aquarium that spends most of its time behind curtains on the back bar. The rest of the time, there’s a small aquarium with some fish in it behind bar in the retro-elegant lounge.

The club has a no-cameras rule that they did try to enforce, so we had to rely on crappy BlackBerry photos inside the place. But here’s the tiny fish tank that had to suffice on Sept. 18:

The resident fishtank at Bimbo's is behind the cash register in the cocktail lounge, providing a point of reference to show how small the tank is. (© 2011, Steven P. Marsh)

The resident fish tank at Bimbo's is behind the cash register in the cocktail lounge, providing a point of reference to show how small the tank is. (© 2011, Steven P. Marsh)

By the way, don’t forget to check out music from Laura Marling, Alessi’s Ark, and Chris Isaak, who has a new album, Beyond the Sun, a tribute to the classic recordings of Sun Records of Memphis, out this month.

Todd Reynolds, Sxip Shirey and friends steal the show

Sxip Shirey, Todd Reynolds and friends at Lincoln Center Out of Doors. (Photos © 2011, Steven P. Marsh)

How often do you go to a show and feel like you’ve heard such an amazing opening act that you’re ready to skip the headliner?

Not often, I’ll bet.

Todd Reynolds

But that’s exactly the way I felt at Lincoln Center Out of Doors on Wednesday night, Aug. 10. It was another triumph in New York’s best free outdoor concert series, which The New York Times describes perfectly as “generous, warm, high-spirited real entertainment for a big audience.”

Don’t get me wrong, Laurie Anderson was the headliner of the free show in Lincoln Center’s Damrosch Park. She is — and was that night — amazing. But openers Todd Reynolds and Sxip Shirey, joined by six violinists and a tuba player, blew the house down with their collaboration. I could have gone home floating on air after their set, feeling perfectly satisfied.

Lou Reed slips heads backstage at Lincoln Center Out of Doors.

Todd, the inimitable Digifiddler, kicked off his set with some of the inventive work from his new album, Outerborough. Laurie’s husband, Lou Reed, slipped through the crowd and backstage while Todd was really wailing on “Crossroads,” a Michael Lowenstern-composed “duet” with bluesman Robert Johnson.

In short order, Todd was joined by six more violinists, each of whom is pretty amazing in his or her own right (Caleb Burhans, Conrad Harris, Pauline Kim Harris, Yuki Numata, Courtney Orlando, and Ben Russell). The Sxip, the multi-instrumentalist clown prince of the NYC indie music scene entered along with Adam Matta (the Human Beatbox) and tuba player Don Godwin of Raya Brass Band. (Check out a rehearsal clip of Todd and Sxip cutting loose here.)

The energy that flowed among all these talented musicians as they jammed onstage was palpable. And there was lots of love flowing from stage to audience and back again.

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Chapin Sisters: Sibling harmony at Rockwood Music Hall

The Chapin Sisters: Lily and Abigail Rose (Photos © 2011, Steven P. Marsh)

Abigail Rose Chapin and Lily Chapin have been playing as the Chapin Sisters since 2004, when they followed family tradition and started making music as a trio with half-sister Jessica Craven.

That family tradition runs deep. Their dad is popular folksinger Tom Chapin. He and his brothers, Steve and the late Harry, performed as the Chapin Brothers from the late 1950s into the ’60s before venturing into their own musical worlds. The Chapin Sisters’ grandfather, the late great jazz drummer Jim, was also in the Chapin Brothers band for part of its existence.  Their cousin, Jen Chapin, is also a contemporary folksinger.

Abby and Lily grew up in Rockland County, N.Y., which Will You Miss Me When I’m Gone? calls home. Their mom, Bonnie Chapin, even named her longrunning women’s clothing shop in Piermont, N.Y., Abigail Rose and Lily Too, after her daughters. But they got their careers rolling in Los Angeles seven years ago. So while they’ve toured and played the East Coast before, we hadn’t gotten around to catching them live.

More new york area shows coming up

Proud dad Tom Chapin listens from the bar, leaning against the pillar, right.

Last night (Friday, July 15) we got our opportunity to hear the duo at Rockwood Music Hall on Manhattan’s Lower East Side Rockwood Music Hall. And although they have other gigs coming up in the area — one of them just steps from the family home, at The Turning Point in Piermont at 8 p.m. July 19— their proud parents showed up to lend support.

The lightly attended set was a great treat — and far too short.

The sisters have really perfected the vocal harmonies so closely identified with the Everly Brothers and the Louvin Brothers, tackling classic folk themes and timeless relationship-troubles issues in their songs. Both of them have distinctive, strong, well-controlled voices that can come to the fore at a moment’s notice and then effortlessly dive back into seamless harmony. Lily’s voice is the lower of the two, and she’s a more physically expressive performer than her sister, who takes the high parts and has a sweeter, slightly more subdued approach to her performing.

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The Feelies feeling independent

The Feelies at Maxwell's on Night 1 of the 2011 Independence Weekend. (Photos © 2011, Steven P. Marsh)

The Feelies kicked off Independence Weekend, as they’ve been doing for ages, at Maxwell’s in Hoboken last night (Friday, July 1)

It was a homecoming as always at Maxwell’s since that was the band’s home club for its entire existence.

Last night was the first of a three-night stand. The hometown crowd was not disappointed, with The Feelies starting just a bit after 9 p.m., the posted showtime, and playing until almost 12:30, with just one short intermission.

Click through to the jump for more photos and info about the first night show. Also, check out a great Paste Magazine slideshow of a day in the life of The Feelies from their recent Philadelphia show at World Cafe Live.

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Hoboken rallies for Los Straitjackets guitarist Danny Amis

Danny Amis, also known as Daddy-O Grande of the legendary surf instrumental group Los Straitjackets (and who once played with Hoboken surf instrumental band The Raybeats), was diagnosed with multiple myeloma recently. He was uninsured at the time, but he managed to get help through the new Affordable Care Act and through the assistance of his music-industry friends.

One of the things his friends have done is throw benefit concerts. His Hoboken buddies got together at Maxwell’s on Wednesday night, June 2. It was a blast-from-the-past show with an amazing lineup: Tall Lonesome Pines, The Purple Knif, The Schramms, The Raybeats (joined briefly by Adele Bertei, former keyboard player and singer with James Chance and the Contortions), The Individuals and an unannounced set by Yo La Tengo.

It was announced at the show that Danny’s had a stem cell transplant and is doing well. Danny writes about his situation on his website.

It was a fantastic show, with a lot of crossover among the bands. It went on until after midnight, a tough thing for some people at a midweek show, but it was worth the long night. Those who left after Bar/None founder Glenn Morrow’s band, The Individuals, wrapped up missed the YLT set.

Click through to the jump for exclusive photos of the show from Will You Miss Me When I’m Gone?

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Scenes from Solid Sound: Wilco and friends

Wilco (Nels Cline, Jeff Tweedy, John Stirratt and Pat Sansone, from left) on the first night of Solid Sound 2011. (Photos © 2011, Steven P. Marsh)

Will You Miss Me When I’m Gone? got off to a late start for the 2011 Solid Sound festival in North Adams, Mass. So we missed Purling Hiss, the first band of the weekend, on Friday afternoon, June 24.

Sharon and Neil Finn's Pajama Club.

But we made it to MASS MoCA in the Berkshires in plenty of time to catch the two big shows of the day, Neil and Sharon Finn‘s Pajama Club and the headlining set by Wilco, the band that made the festival happen.

The Pajama Club plays fun, no-worries pop. We didn’t know much about the band before arriving in North Adams, but discovered to our joy that the New Zealand band’s drummer is Alana Skyring, who until the beginning of this year was a member of one of our fave bands The Grates from Australia.

Click through to the jump for more photos and words about Night 1 of Solid Sound. And check back soon for photo and words about the rest of the music festival.

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