Category Archives: Concerts

Donnacha Dennehy and Alarm Will Sound leave us Hunger-ing for more

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Alarm Will Sound (Photo by Justin Bernhaut)

Famine isn’t a cheery topic. And when we’re talking about the Great Irish Famine of 1845-1852, it could seem like musty and old as well as unpleasant.

And, let’s face it, the Great Famine is not a happy subject.

Luckily, when the fantastic Irish composer and Crash Ensemble bandleader Donnacha Dennehy takes on the monumental subject, it assumes a magical, transcendent quality.

Dennehy and the awesome 20-member New Music ensemble Alarm Will Sound gave New York its first taste of The Hunger, a still in-progress theater piece that combines the ensemble with live singing by an Irish  sean nós singer and a mezzo-soprano, at Carnegie Hall’s Zankel Hall on Saturday night, April 6.

We were mesmerized for all 45 minutes of urgent playing coupled with recordings of Irish sean nós singing and the keening of a mother for her dead child, along with and live singing by the extraordinary Rachel Calloway.

Calloway sang lyrics based on the first-hand accounts of the famine by the American nonconformist Asenath Nicholson, who spent two years in Ireland working with those dying of starvation. Her words in song are gripping, terrifying and urgent.

The piece is destined to be a full evening of performance by Alarm Will Sound, sean nós singer Iarla  Ó Lionáird and one of our very favorite mezzos, Dawn Upshaw. While Upshaw will likely put the finished work into an even higher category, we were mightily impressed with Calloway’s work on Saturday.

This taste leaves us starving to hear more.

While The Hunger was the marquee event of Saturday’s program, Alarm Will Sound got plenty of opportunity to show off its New Music chops in the first half, as well. The evening was intended to draw attention to the fact that the 12-year-old group, led by Alan Pierson (who also helms the Brooklyn Philharmonic), has amassed quite a bit of music written specifically for it.

One of its oldest commissions, David Lang‘s increase, composed in 2002, was the highlight of the first half. But the world premiere of the noisy, energetic Fly By Wire, by the suddenly ubiquitous Tyondai Braxton and New York premiere of Charles Wuorinen‘s Big Spinoff, were plenty of fun. Journeyman, composed by Alarm Will Sound’s pianist, John Orfe, also had its New York premiere Saturday.

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Vital Vox Take 2: A festival of the human voice, supercharged and guaranteed Sandy free!

Vital Vox was knocked down, but not out, by Superstorm Sandy.

Vital Vox was knocked down, but not out, by Superstorm Sandy.

If you like the sound of the human voice, but like it even better with a little extra oomph, the Fourth Annual Vital Vox Festival is for you.

The two-evening event, as always, features some of today’s most amazing vocal artists. But this year’s twist is called “Vox Electronics” and focuses on amazing artists who take their sound to a new level with electronic manipulation of all kinds.

It’s scheduled for Monday and Tuesday, March 25 and 26, at Roulette in Brooklyn.

The intriguing festival was scheduled for last October, but a little storm named Sandy had other plans. But organizers have regrouped and are ready to go with a slightly retooled lineup.

Monday night’s program features Philip Hamilton, Loom Trio (an ensemble that includes Vital Vox co-artistic director Sasha Bogdanowitsch) and violinist-vocalist Sarah Bernstein‘s duo project Unearthish with  percussionist Satoshi Takeishi.

Pamela Z performs at the 2008 Bang on a Can Marathon in the Winter Garden at the World Financial Center in Manhattan. (Photo © 2008, Steven P. Marsh)

Tuesday brings in Lisa Karrer and David Simons, Bogdanowitsch  with Loom Ensemble and Pamela Z.

For our part, Pamela Z was our entree into the world of manipulated voice, and remains among our top two or three favorites in this arena. The things she can do to her voice with a Mac laptop and an occasional piece of percussion is pretty awesome. And when she pulls out her full arsenal — especially her Body Synth gesture controller — look out!

The festival’s other co-artistic director, Sabrina Lastman, was scheduled to perform in October, but isn’t on the new program.

Every artist on this bill has serious vocal chops. One of them could make your top three. Why not give them a listen?

Fourth Annual Vital Vox Festival, 8 p.m. Monday, March 25 and Tuesday, March 26. Roulette, 509 Atlantic Avenue (at Third Avenue), Boerum Hill, Brooklyn. Information at the Vital Vox website  or follow Vital Vox on Twitter. Tickets, $15/$10 for students, seniors and members available at the Roulette website.

Guilty: Babe the Blue OX makes its best album ever

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First release from Brooklyn perennial in 15 years

We didn’t really know Babe the Blue OX in its 1990s heyday, when the band was a regular(-ish) feature on bills around New York City. We heard and appreciated some of its recordings, and were charmed by its Paul Bunyan-esque name and Barbra Streisand-ish album titles.

For whatever reason, we never saw Babe live until a couple of years ago, when the members decided to come out of accidental retirement and start playing on a semi-regular basis again.

(Full disclosure: We met and became friendly with singer-guitarist Tim Thomas through his day job as a fund-raiser for a nonprofit long before we even realized he was in Babe.)

Listen to Guilty and read more after the jump. Continue reading

Bang on a Can introduces new compositions at the Peoples Commissioning Fund concert

See what a little cash from a lot of people can do

While we’re generally ecstatic about New Amsterdam Records’ Ecstatic Music Festival, we’re particularly psyched about the latest installment of Bang on a Can’s long-running Peoples Commissioning Fund concert series.

It’s slated for 7:30 p.m. Thursday, March 14, at Merkin Concert Hall in Manhattan.

The contemporary classical organization since 1997 has been collecting contributions, mostly small, from lots and lots of music lovers (that’s the “Peoples” part), aggregating them (the “Fund” part), and using them to commission (the Commissioning part) new work from composers new and established.

Bang on a Can calls this “a radical partnership between artists and audiences” that uses crowd-sourcing to fund new work. While the idea probably never was unique to Bang on a Can , it no doubt opened the door to other funding machines, such as Kickstarter and PledgeMusic.

The concept shatters the longstanding model of big-bucks patrons fueling the production of new work. This crowd-sourcing concept, which predates the social media boom, has raised almost $300,000 since its inception and made it possible for Bang on a Can to help in create more than 50 new works. Continue reading

Ticket price for Wilco’s 2013 Solid Sound Festival increase $25 on March 11

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You have less than a week to buy your weekend passes to this great festival before the price goes up

Will You Miss Me When I’m Gone? has told you before, and is taking this opportunity to tell you again: Solid Sound, Wilco’s music and arts festival at MASS MoCA is one of the best music festivals ever. We’ve attended the first two editions and have no intention of missing V3 this year — on June 21-23 at the museum in North Adams, Mass. Continue reading

Singer-songwriter Jamie Block shows he gets the rhythm of Rockland County life with Whitecaps on the Hudson

Jamie Block

Jamie Block

With the new album officially out, the long-MIA anti-folk artist is performing again, too

Nothing about Jamie Block suggests he’s a man of few words — just a man who doesn’t waste words.

For years, it even showed in his performance identity: Block. Not Jamie Block, just Block, thank you very much.

Jamie Block's new Whitecaps on the Hudson

Jamie Block’s new Whitecaps on the Hudson

It seems that he was saving the words for his songs, which on his latest (and long-overdue) album, Whitecaps on the Hudson, are perfectly crafted stories of a man whose life has had some twists and turns.

It’s a memorable work that reminds us why the music world has been much poorer during Block’s overlong absence.

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Gotta get it right with Alice Smith

Alice Smith was all about the casual vibe on Jan. 29, 2013, Night 1 of her three-Tuesday residency at Rockwood Music Hall in the Lower East Side of Manhattan. (Photos © 2013, Steven P. Marsh)

Alice Smith was all about the casual vibe on Jan. 29, 2013, Night 1 of her three-Tuesday residency at Rockwood Music Hall in the Lower East Side of Manhattan. (Photos © 2013, Steven P. Marsh)

The powerful young R&B-inflected singer reminds us that Nina Simone is most definitely not Motown

It could have happened to anyone. Someone who wrote about Alice Smith‘s first night of a three-Tuesday residency at New York City’s Rockwood Music Hall made a mistake. In describing Alice’s set at the tiny Lower East Side venue, the writer said “she did a few covers of a few classic Motown tracks.” (We won’t name the blog or link to the post, but if you really want to see the whole thing, we’re sure you know how to find it.)

Sure, it’s a big mistake. But who knew that Alice read her notices? And who would have expected a critique?

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Tom Rush celebrates a half century onstage

Performs with many old friends in a sold-out ‘Club 47′ show at Boston Symphony Hall tonight

Watch starting at 7:30 tonight on Livestream (link after the jump)

Tom Rush (Photo by Michael Wiseman).

It’s hard to believe that singer Tom Rushhas been performing since 1962, but the calendar doesn’t lie.

Tom Rush onstage in 1962. (Photo by Jim Eng)

Tonight he’s marking the milestone with an intimate gathering at a little place in Boston – not far from his old stomping grounds at Club 47 in Cambridge – called Symphony Hall.

It’s a venue where Tom has held forth with his friends many times over the years. It can hold upwards of 2,600 people. Not bad for an old folkie to sell out a joint like that.

Will You Miss Me When I’m Gone? is planning to make the trek to Boston for this incredibly special show.

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Hanukkah, Night 4, with Yo La Tengo at Maxwell’s in Hoboken (with set list)

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Check out lots of photos from Hanukkah Night 4, with Yo La Tengo, Kid Millions, Todd Barry and Real Estate at Maxwell’s in Hoboken, N.J.

Will You Miss Me When I’m Gone? was pleased to see a relatively young local band, Real Estate, on the bill for Night 4.

We love the old favorites, like The Feelies. But there are more than a few upstarts out there, and some of them are really good. Real Estate qualifies. The band’s singer-guitarist, Martin Courtney, clearly loves many of the same musical influences that Yo La Tengo‘s members revere.

Real Estate did a solid set and gave us our first opportunity ever to see them perform. We already liked their recorded sound. We need to see them again.

Todd Barry gave a perfectly timed, just-long-enough performance. He’s a musician’s comedian whose wry humor fit well with the feel of the evening.

Yo La Tengo.

Yo La Tengo.

We have dozens out more images from last night’s show after the jump, including a gallery of an Ira Kaplan organ freakout!
But before we get there, take a moment to check out the new video from YLT’s upcoming album, Fade, which drops on Jan. 15.

Good stuff, with the ever-wonderful Georgia Hubley on lead vocal, and great animation by her sister, Emily Hubley.

Here’s the set list, courtesy Frank & Earthy:

Spec Bebop
We’re An American Band
The Crying of Lot G
20th Century Boy (T-Rex)
Out the Window
The Point of It
The Summer
Don’t Have To Be So Sad
Double Dare (acoustic)
Big Day Coming (fast)
Nothing To Hide
Decora
Mushroom Cloud of Hiss

*(encore)*
Burnin’ For You (Blue Öyster Cult) (with Todd Barry on drums)
Our Way To Fall (with Martin Courtney of Real Estate on vocals)

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Hanukkah with Yo La Tengo at Maxwell’s in Hoboken — Sunday and Monday

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Yo La Tengo jammed with Fred Armisen on a second drum kit. (Photos © 2012, Steven P. Marsh)

Yo La Tengo continued its massively wonderful holiday tradition, kicking off the first of eight shows — one for each night of Hanukkah — on Saturday night. The proceeds from tickets and most merchandise goes to charity. (This year all the charities support Superstorm Sandy recovery efforts.)_

Will You Miss Me When I’m Gone? managed to score tickets to four of the eight nights — not an easy thing to do the way TicketFly is set up.

Our first night was Night 2, when the amazing Sun Ra Arkestra (imagine a DOZEN musicians on the tiny Maxwell’s stage!) was the opener and Fred Armisen of “Saturday Night Live” and “Portlandia” was both the comedian and a musical guest.

Night 3 featured Hoboken’s hometown heroes The Feelies, which opened with a very strong set, and the members of which sat in at various points of YLT’s set. Guitarist and vocalist Glenn Mercer was absolutely on fire all night. And Brenda Sauter did a great job on vocals for “You Ain’t Goin’ Nowhere.” “SNL” writer John Mulaney was the comic for Night 3.

We’ll be back tonight, but wanted to share some images of nights 2 and 3 with you now.

This is a tradition that has been going on for 11 years, YLT’s Ira Kaplan pointed out last night. We hope it continues for many years to come.

Click through to the jump for lots of photos from Sunday and Monday nights’ shows.

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